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Larry Harvey (January 11, 1948 – April 28, 2018) was an American artist, philanthropist and activist. He was the main co-founder of the Burning Man event, along with his friend Jerry James.[1]

Burning Man started in 1986 as a summer solstice evening ritual burning of their artistic creation of an effigy of a man with a group of just a dozen people at San Francisco's Baker Beach. It soon became an annual event that over four years grew to more than 800 people. In 1990, in collaboration with the SF Cacophony Society, the event moved to Labor Day weekend in the Black Rock Desert, where it has grown rapidly from a three-day, 80-person "zone trip" to an eight-day event with 70,000 participants.

In 1997, six of the main organizers formed Black Rock City LLC to manage the event, with Harvey as the executive director, a position he held until his death. He was also the president of the Black Rock Arts Foundation, a non-profit art grant foundation for promoting interactive collaborative public art installations in communities outside of Black Rock City.

He scripted and co-chaired/curated the arts department's annual event theme and was the main spokesperson and political strategist for the organization. He had been featured in such engagements as San Francisco's Grace Cathedral "Radical Ritual" with the Very Reverend Alan Jones, the Oxford Student Union, Cooper Union in New York City, Harvard's International Conference on Internet and Society as a panelist, the Walker Art Center in Minnesota and the San Francisco Commonwealth Club, as well as many others.[citation needed]

Harvey died on April 28, 2018 from a massive stroke he suffered earlier in the month.[2][3] He was 70 years old.
Major figure of classical music in Poland:

Wanda Wiłkomirska (11 January 1929 – 1 May 2018)[1] was a Polish violinist and teacher. She was known for both the classical repertoire and for her interpretation of 20th-century music, having received two Polish State Awards for promoting Polish music to the world and also other awards for her contribution to music. She gave world premiere performances of numerous contemporary works including Tadeusz Baird and Krzysztof Penderecki. Wiłkomirska performed on a violin crafted by Pietro Guarneri in 1734 in Venice. She taught at the music academies of Mannheim and Sydney.

Born in Warsaw, Wiłkomirska first learned the violin from her father, and studied with Irena Dubiska at the Łódź Academy of Music,[2] graduating in 1947.[3] She graduated from the Franz Liszt Academy of Music in Budapest in 1950, where she studied under Ede Zathureczki (a student of Jenő Hubay). She performed in Paris, which led to Henryk Szeryng asking her to study with him.[2] She won prizes at competitions in Geneva (1946), Budapest (1949) and Leipzig (the International Johann Sebastian Bach Competition, 1950; 2nd prize).[2] She also studied in Warsaw under Tadeusz Wroński (pl), who helped her prepare for the Henryk Wieniawski Violin Competition in Poznań in December 1952, where she played Karol Szymanowski's Concerto No. 1 for the first time (it became a favourite of hers). She shared 2nd prize with Julian Sitkovetsky; the 1st prize winner was Igor Oistrakh.[4]

In 1955, Wanda Wiłkomirska performed at the inauguration of the rebuilt Warsaw Philharmonic Concert Hall, with the Warsaw National Philharmonic Orchestra, playing Karol Szymanowski's First Violin Concerto under Witold Rowicki.[5] She became the orchestra's principal soloist that year[2] and gave many performances with the orchestra around the world, with such conductors as Rowicki, Stanisław Wisłocki and Antoni Wit. She held the position for 22 years.[3] In 1961, she made her debut in the US with the orchestra, which became the beginning of an international career.[3] The American impresario Sol Hurok (who managed such violinists as Isaac Stern and David Oistrakh) introduced her to enthusiastic audiences in the U.S. and Canada. She performed in over 50 countries, in all continents. In the 1960s and 1970s, she gave an average of 100 concerts per year.[2]
[Image: 220px-Wanda_Wilkomirska_Polish_violinist.jpg]

Wanda Wiłkomirska
In 1969, she gave 37 performances in Australia, a country she later emigrated to. These interpretations won her great acclaim and she received further recital and concert proposals from Australian orchestras. In 1973, she was the first violinist to perform a solo recital in the newly built Sydney Opera House (she was accompanied by Geoffrey Parsons).[2]

In 1976 she helped inaugurate the Barbican Hall in London[3] with a performance of Benjamin Britten's Violin Concerto, scheduled to be conducted by Sir John Barbirolli, but in the end by Erich Leinsdorf.

In 1982, during the period of martial law in Poland, Wanda Wiłkomirska announced during a concert tour in the West that she would not return to Poland at the end of the tour. One of her sons, Arthur, also defected to West Germany. In 1983, she accepted the chair of music professor at the Hochschule für Musik und Darstellende Kunst Mannheim.[2] From that time, teaching became her great passion and an opportunity to share her instrumental skills and experience as a musician with the next generation of virtuosos.[5]

In 1999 she joined the teaching staff of the Sydney Conservatorium of Music[2] and since February 2001 also worked for the Australian National Academy of Music in Melbourne. She continued to be a part of musical life in Europe, flying between the two continents for concerts, master classes and competitions, while remaining involved in musical life in Australia.

Wiłkomirska was often a jury member at violin competitions, such as those held in Moscow, Tokyo, London, Munich, Vienna, Graz, Hanover, Gorizia, and in Poland, in Poznań, Kraków, Łódź and Lublin.[2]

Wanda Wiłkomirska often performed in a piano trio, accompanied by her sister Maria at the piano and her brother Kazimierz on the cello, as the Wiłkomirska Trio. She also played with Krystian Zimerman, Daniel Barenboim, Gidon Kremer, Natalia Sheludiakova, Martha Argerich, Kim Kashkashian and Mischa Maisky.[2] She performed at such festivals as: "Bravo Maestro", Gidon Kremer and Friends in Kuhmo, and Martha Argerich and Friends in Bochum.

Wiłkomirska gave premiere performances of various Polish contemporary compositions, such as: Grażyna Bacewicz's Violin Concerto No. 5 (1951) and Violin Concerto No. 7 (1979), Tadeusz Baird's Expressions (1959), Augustyn Bloch's Dialogues (1966), Krzysztof Penderecki's Capriccio (1968), Zbigniew Bargielski's Violin Concerto (1977), Zbigniew Bujarski's Violin Concerto (1980), Roman Maciejewski's Sonata (1998) and Włodzimierz Kotoński's Violin Concerto (2000).[2]

In 1968, she began regularly recording for the Connoisseur Society record company in New York, for which she made 12 albums, some with the pianist Antonio Barbosa. Two of these won awards, namely "Best of the Year" (1972) and the "Grand Prix du Disque" (1974). She also recorded with Deutsche Grammophon, EMI, Philips, Naxos, and Polskie Nagrania.

Her recordings include the works of Accolay, Bacewicz, Bach, Baird, Bargielski, Bark, Beethoven, Augustyn Bloch, Brahms, Bujarski, Dancla, Franck, Handel, Karlowicz, Khachaturian, Kreisler, Martini, Mussorgsky, Pallasz, Prokofiev, Rachmaninoff, Ravel, Shostakovich, Szymanowski, Tchaikovsky, Viotti and Wieniawski.

More at Wikipedia.
Pioneering black politician of Chicago:

Pioneering former Alderman Wilson Frost died Saturday in southern California at the age of 92.

Frost, born in downstate Cairo on Dec, 27, 1925, rose to prominence as a key African-American figure in Chicago’s City Council. He died in his adopted hometown of Palm Desert, according to Ald. Carrie Austin (34th).

After graduating from Fisk University in Nashville and Chicago-Kent College of Law, Frost was elected alderman of the 21st Ward in 1967. Four years later, he won an election to become alderman of the 34th Ward, a position he held until 1987. He later served on the Cook County Board of Tax Appeals until 1998. The Democrat is perhaps best known for declaring himself the city’s acting mayor when Richard J. Daley died in December 1976. Frost, who was serving as president pro tempore of the city council, based the move on his own interpretation of the city charter.

Following nearly a weeklong power struggle, during which Frost was locked out of the mayor’s office, the city council rebuffed Frost’s claim and appointed Michael Bilandic, then the 11th Ward alderman, as mayor. Had Frost’s reading of the city charter been upheld, he would have become the city’s first black mayor.

A group of black leaders, including Rev. Jesse Jackson, urged Frost to claim the mayorship after Daley’s death. Jackson, who was caught off guard by the news Frost had died, called him a “critical, smart and caring” leader, noting he had the skills to be the city’s mayor.

Source: Chicago Sun-Times
Eric, I am surprised that you missed this one:

Courken George Deukmejian Jr. (/djuːkˈmeɪdʒən/;[1] June 6, 1928 – May 8, 2018) was an American politician who was the 35th Governor of California from 1983 to 1991 and Attorney General of California from 1979 to 1983. Deukmejian was the first and so far the only governor of a U.S. state of Armenian descent.

Deukmejian was elected in 1982 to his first term as Governor of California, defeating Lieutenant Governor Mike Curb, a recording company owner, in the Republican primary (1,165,266 or 51.1 percent to 1,020,935 or 44.8 percent).[4] One of his early primary backers was former gubernatorial candidate Joe Shell of Bakersfield, California, a conservative who had opposed Richard M. Nixon in the 1962 primary.[8]

[Image: 200px-CA1982Gov.svg.png]

Deukmejian (dark red) defeated Tom Bradley (dark blue) with a 49.3% to 48.1% voter margin in the 1982 gubernatorial election
In the general election, Deukmejian ran as a conservative supporter of public safety and balanced budgets.[8] In addition, he was strongly critical of outgoing Governor Jerry Brown and promised to run a very different administration.[5] He also strongly criticized the Supreme Court of California, which was dominated by Brown appointees, notably controversial Chief Justice Rose Bird.[9]

Deukmejian narrowly defeated Los Angeles Mayor Tom Bradley in the general election.[4] Deukmejian won the election by about 100,000 votes, about 1.2 percent of the 7.5 million votes cast.[4] The victory came despite opinion polls leading up to the election which consistently showed Bradley with a lead, and despite exit polling conducted after voting closed which led some news organizations on the night of the election to make early projections of a Bradley victory.[11][12] The discrepancy between the polling numbers and the election's ultimate results would come to be termed the "Bradley effect", which refers to a hypothesized tendency of white voters to tell interviewers or pollsters that they are undecided or likely to vote for a black candidate, but then actually vote for his opponent.[12]
Altogether Deukmejian's governorship was a departure from that of his predecessor, Jerry Brown.[13] He vowed not to raise taxes, appealing to the business community by repealing some consumer and environmental requirements.[14] In addition, he presented himself as a law and order candidate, proposing new efforts to fight crime.[5] He faced a Democrat-dominated California State Legislature during his two terms as governor.[8] He was the sole Republican statewide officeholder until Thomas W. Hayes was appointed California State Treasurer, following the death of Treasurer Jesse Unruh.[5]

In 1983, Deukmejian abolished the Caltrans Office of Bicycle Facilities and reduced state spending for bicycle projects from $5 million to the statutory minimum of $360,000 per year.[15] In 1984, he vetoed A.B. 1, the first bill to ban discrimination against gays and lesbians, which passed the Legislature.[16]

[Image: 220px-Ronald_Reagan_and_George_Deukmejian.jpg]

Deukmejian with President Ronald Reagan at a presidential campaign rally in Fountain Valley, California in September 1984

In 1986, Bradley sought a rematch and Deukmejian defeated him by a 61% to 37% percent margin, a record not broken as of 2015.[5] He was generally regarded as a moderate-to-conservative Republican.[5]

The Deukmejian administration entered office during a national economic recession.[17] He first halted the hiring of new state employees and banned out of state travel for those in government.[18] He rejected the legislature's demands for tax hikes, and pared $1.1 billion from its budget by selectively vetoing spending items.[19] One year later, further cuts, along with a nationwide economic rebound that benefited the state, created a billion dollar surplus for 1985.[18] At one point, his approval ratings reached 68%.[18] His 1985 budget slightly increased spending in highway construction, but cut heavily into the education, health, welfare and environmental budgets.[18] For this he was roundly criticized, and probably led to his low polling numbers at the end of his tenure as governor.[18][19]

Three years later, Deukmejian faced his own billion dollar deficit.[url=][17]
He supported a raise in the state minimum wage in 1989.[17] During Deukmejian's administration, the general fund budget grew by 98% without any increase in general tax rates. (California State general fund budget: 1982–1983 $21.7 billion; 1990–1991 $42.9 billion).[9]

Deukmejian largely made his career by being tough on crime.[20] When he was in the legislature, he wrote California's capital punishment law.[9] As a candidate for reelection, in 1986 he opposed the retention election of three Brown-appointed justices of the Supreme Court of California due to their consistent opposition to the death penalty in any and all circumstances.[4] One of them (the best known) was Rose Bird, the first female Chief Justice of the Court (and the first one to be voted off).[4] Deukmejian proceeded to elevate his friend and law partner, Malcolm M. Lucas, from Associate Justice to Chief Justice, and appointed three new associate justices.[4] Under Deukmejian, the California prison population nearly tripled — as of December 31, 1982, the total prison population stood at 34,640 inmates.[8] He increased spending for the building of new prisons.[4]

In 1988, then-Vice President George H. W. Bush considered Governor Deukmejian as a possible running mate for the presidential election that year.[20] During a trade mission to South Korea in August, Deukmejian sent a letter saying he could not be considered for nomination, refusing to leave the governorship to Democratic Lieutenant Governor Leo T. McCarthy.[20] Deukmejian did not seek reelection to a third term as governor in the 1990 gubernatorial elections.[20] The Republicans instead nominated sitting United States Senator Pete Wilson, who defeated Dianne Feinstein in the general election.[5] He was the last governor not affected by the two-term limit that was passed by voters in 1990.[17][9]

On October 1, 1989, Governor Deukmejian signed legislation authorizing the purchasing of health insurance by uninsured Californians suffering from serious illnesses such as AIDS, cancer, diabetes, and heart disease through tobacco tax revenues.[21]
In 1991, in his last two hours in office, he vetoed the property tax exemption bill passed by both houses of the Legislature which applied to companies building solar thermal power plants in California.[22] Although the Legislature enacted the exemption in early 1991, companies would still face significant levels of property tax and other taxes.[13] This exemption was focused towards the Solar Energy Generating Systems (SEGS) plants then being built by Luz International Limited (Luz) in the late 1980s.[23] The veto led directly to the bankruptcy of Luz.[23]
This creep (serial killer) can roast in Hell.

Dennis Andrew Nilsen (23 November 1945 – 12 May 2018) was a Scottish serial killer and necrophile, who murdered at least 15 young men in a series of killings committed between 1978 and 1983 in London, England. Convicted of six counts of murder and two of attempted murder at the Old Bailey,[1] Nilsen was sentenced to life imprisonment on 4 November 1983, with a recommendation that he serve a minimum of 25 years. In his later years, he was incarcerated at HM Prison maximum security prison in Full Sutton in the East Riding of Yorkshire, England.

All of Nilsen's murders were committed in two North London addresses in which he alternately resided throughout the years he is known to have killed. His victims were lured to these addresses through guile and murdered by strangulation, sometimes accompanied by drowning. Following the murders, Nilsen observed a ritual in which he bathed and dressed the victims' bodies, which he retained for extended periods of time, before dissecting and disposing of them via burning upon a bonfire, or flushing down a lavatory.

He died in prison on 12 May 2018.

More at Wiki (if you want more, but get your barf bag ready).
British film editor -- and of some renowned films:

Anne Voase Coates (12 December 1925 – 8 May 2018) was a British film editor with a more than 60-year-long career. She was perhaps best known as the editor of David Lean's epic film Lawrence of Arabia in 1962, for which she won an Oscar. Coates was nominated five times for the Academy Award for Best Film Editing for the films Lawrence of Arabia, Becket (1963), The Elephant Man (1980), In the Line of Fire (1993) and Out of Sight (1998). In an industry where women accounted for only 16 percent of all editors working on the top 250 films of 2004, and 80 percent of the films had absolutely no females on their editing teams at all, Coates thrived as a top film editor.[2] She was awarded BAFTA's highest honour, a BAFTA Fellowship, in February 2007[3] and was given an Academy Honorary Award, which are popularly known as a Lifetime Achievement Oscar, in November 2016 by the Academy of Motion Picture Arts and Sciences.[4][5]

Coates was born in Reigate, Surrey, England, the daughter of Kathleen Voase (née Rank) and Major Laurence Calvert Coates.[6] Her first passion was horses. As a girl, she thought she might become a race-horse trainer.[7] She graduated from Bartrum Gables College and, before becoming a film editor, she worked as a nurse at Sir Archibald McIndoe's pioneering plastic surgery hospital in East Grinstead, England.[8]

Coates became interested in cinema after seeing Wuthering Heights by William Wyler.[9] She decided to pursue film directing and started working as an assistant at a production company specializing in religious films (also doing projectionist and sound recording work). There she fixed film prints of religious short films before sending them to various British church tours. This splicing work eventually led to the rare job as an assistant film editor at Pinewood Studios, where she worked on various films. Her first experience was assisting for film editor Reggie Mills.[7] Coates later worked with film director David Lean on Lawrence of Arabia. She had a long and varied career, and continued to edit films, including Out of Sight and Erin Brockovich for Steven Soderbergh. Coates was a member of both the Guild of British Film and Television Editors (GBFTE) and American Cinema Editors (ACE).

Variety's Eileen Kowalski notes that "Indeed, many of the editorial greats have been women: Margaret Booth, Dede Allen, Verna Fields, Thelma Schoonmaker, Anne V. Coates and Dorothy Spencer."[10]

Coates was at the centre of a film industry family. Besides being the niece of J. Arthur Rank, she was married to the director Douglas Hickox for many years.[11] Her brother, John Coates, was a producer (The Snowman and Yellow Submarine), and her two sons, oldest Anthony Hickox (b. 1959) and youngest James D. R. Hickox (b. 1965) used to be directors, and her daughter Emma E. Hickox (b. 1964) is also a film editor.[11]

Coates died on 8 May 2018, at the Motion Picture Country Home and Hospital in Woodland Hills, California.[12][9]

More at Wikipedia.
Chuck Knox, successful NFL coach:

Charles Robert Knox (April 27, 1932 – May 12, 2018) was a former American football coach at the high school, collegiate and professional levels. He is best remembered as head coach of three National Football League (NFL) teams, the Los Angeles Rams (twice), Seattle Seahawks, and Buffalo Bills.

When Tommy Prothro was dismissed on January 24, 1973, Knox was hired as head coach of the Rams.
Sometimes referred to as 'Ground Chuck' for his team's emphasis on its rushing attack, Knox used a comeback year by veteran quarterback John Hadl to lead the Rams to a 12-2 record during his first season, winning the NFC West title. Knox earned NFC Coach of the Year honors, but in the first round of the playoffs, the team lost to the Cowboys, beginning what would be a frustrating string of play-off defeats for Knox.

John Hadl became the 1973 NFC Most Valuable Player under Knox, proof that the passing dimension of his offense was as significant as the run game in his system. Six games into the 1974 season, Knox traded John Hadl, whose performance had diminished from his MVP '73 season, to the Green Bay Packers for an unprecedented two first round picks, two second round picks and a third round pick. Knox started James Harris for the remainder of the 1974 season. Harris became the NFL's first African American regular quarterback. Despite two and a half successful seasons, including a 12 and 2 record in 1975 with Harris under center, Some Rams fans remained critical of Harris' play. Eventually, Coach Knox, under pressure from owner Carroll Rosenbloom, was forced to bench Harris in favor of Pat Haden.

Under Knox the Rams won five straight NFC West championships. However each season they faltered in the playoffs. They lost three consecutive NFC Championship games from 1974 to 1976, two of them to the Minnesota Vikings. In the team's rainy first round home playoff game against the Vikings on Monday December 26, 1977, quarterback Pat Haden was having problems handling the wet ball and moving the team. Joe Namath was warming up in preparation for what seemed to be a Hollywood ending in the making, but Knox hesitated and the Rams lost again in what was subsequently called the "Mud Bowl", 14-7. That was it as far as owner Carroll Rosenbloom was concerned and Knox got out before he could get fired. In five seasons as the Rams head coach the team had won five straight NFC West titles with five different starting quarterbacks (John Hadl, Ron Jaworski, Pat Haden, James Harris, and Joe Namath) and had a regular season record of 54-15-1 but a play-off record of only 3-5.

On January 11, 1978, Knox left the Rams to sign a $1.2 million, six-year contract with the Bills. The move was in response to the continuing conflict between Knox and team owner Carroll Rosenbloom, with Knox taking over a team that had won five of 28 games during the previous two seasons.

In his first year (under the new 16-game schedule), Knox led the Bills to a 5-11 mark. Just two years later, the Bills won the AFC East title with an 11-5 record, but dropped a close battle with the high-powered San Diego Chargers in the divisional playoffs. The following year, his team defeated the Jets in a wild card clash, but then fell to the Cincinnati Bengals. After a 4-5 strike-shortened season in 1982, Knox failed to come to terms on a new contract with team owner Ralph Wilson, and left to accept the head coaching position with the Seahawks on January 26, 1983.
During his first year in the Northwest, Knox led the team to its first playoff berth, beat the Denver Broncos 31-7 in the wildcard game and then upset the Miami Dolphins 27-20 in the Orange Bowl in the second round. However, the dream died in the AFC Championship game when the Seahawks fell to the Los Angeles Raiders 30-14. Subsequent seasons would see the Seahawks remain competitive, but did not reach a conference championship game again during his tenure, despite winning Seattle's first AFC West Division Title in 1988.

After nine years with Seattle, Knox left on December 27, 1991, having become the first NFL head coach to win division titles with three different teams. Looking to recapture the magic of two decades earlier, Knox returned to the Rams as head coach in 1992. While his tenure saw Jerome Bettis blossom into a star, his teams finished last in the NFC West in each of his three seasons. Additionally, his run-oriented offense was considered too predictable by 1990s NFL standards. He was fired on January 9, 1995.

Knox retired with a mark of 186 wins, 147 losses and 1 tie record, with his son, Chuck, Jr., keeping the family's name alive as an NFL assistant coach, most recently as defensive backs coach of the Minnesota Vikings until 2006.
In 2005, Knox donated $1 million to his alma mater, Juniata, to endow a chair in history, his major at the school. The donation was the largest of many contributions by Knox, with the institution renaming the school's football stadium in his honor in 1998. Quaker Valley High School in Knox's hometown of Sewickley, Pennsylvania has also named its football stadium in his honor [1]

In reporting about Knox's $1 million donation, the Seattle Times noted that Knox has been extremely generous in donating substiantial money to Juniata and his old high school. The Times also noted that Knox left the games before coaches were paid the large sum of salaries common today and reporters asked whether he was donating away a substantial amount of his retirement fund.

Knox answered the reporters this way: "sure it is (a lot of money).....that's what it was going to take to do it" [2]
On September 25, 2005 at age 73, Knox was inducted into the Seattle Seahawks Ring of Honor at Qwest Field in Seattle and is regularly under consideration for nomination into the Pro Football Hall of Fame in Canton, Ohio. In 2015, the Professional Football Researchers Association named Knox to the PFRA Hall of Very Good Class of 2015 [3]

More from Wikipedia.
Margot Kidder(1948-2018), "Lois Lane" in the Superman series with the late Christopher Reeve

In 1975, Kidder was cast in a lead role in The Great Waldo Pepper opposite Robert Redford, she also appeared in The Reincarnation of Peter Proud and 92 in the Shade (1975) with Peter Fonda, all of which established her as a commercially viable leading lady.[18] Kidder famously married the director of 92 in the Shade, Thomas McGuane. She appeared in the March 9, 1975 edition of The American Sportsman, learning how to hang glide, and providing the narration, with a remote microphone recording her reactions in flight; the segment concluded with Kidder doing solos soaring amid the Wyoming Rockies.[19]

Kidder also appeared in Playboy March 1975 photographed in black and white by Douglas Kirkland, with the article written by Kidder herself.[20]

After taking a break from acting after the birth of her daughter in 1976, Kidder sought to return to making films in the late 1970s. After doing a reading of Lois Lane for the 1978 superhero film Superman: The Movie, Kidder was flown to England by Richard Donner for screen-tests.[17] Donner ultimately cast Kidder in the role, which would become her most iconic.[17] Filming took over a year, and the film was released during Christmas 1978, to major commercial success. Kidder won a Saturn Award for best actress for her performance in the film. Kidder publicly disagreed with the decision of producers Alexander Salkind and Ilya Salkind to replace Richard Donner as director for Superman II (1980).[21] It was reported that as a result, Kidder's role in Superman III (1983) consisted of less than five minutes of footage,[22] though the producers have denied this in DVD commentaries. Her role in Superman IV: The Quest for Peace (1987) was more substantial.

Kidder's performance as Kathy Lutz in the 1979 summer release of The Amityville Horror further cemented her status as one of Hollywood's leading ladies. Though it received mixed reviews from critics, The Amityville Horror was a major commercial success, grossing over $86 million in the United States.[23] Janet Maslin of The New York Times, though giving the film a mixed review, said Kidder "stubbornly remains the bright-eyed life of the party [in the film]."[24] In retrospect, Kidder called the film "a piece of shit."[17] The same year, Kidder hosted an episode of the American sketch comedy TV show Saturday Night Live.
More at Wikipedia.
Tom Wolfe, author:

Thomas Kennerly Wolfe Jr. (March 2, 1930 – May 14, 2018)[1] was an American author and journalist, best known for his association with and influence in stimulating the New Journalism, in which literary techniques are used extensively.

He began his career as a regional newspaper reporter in the 1950s, but achieved national prominence in the 1960s following the publication of such best-selling books as The Electric Kool-Aid Acid Test (a highly experimental account of Ken Kesey and the Merry Pranksters), and two collections of articles and essays, Radical Chic & Mau-Mauing the Flak Catchers and The Kandy-Kolored Tangerine-Flake Streamline Baby. In 1979, he published the influential book The Right Stuff about the Mercury Seven astronauts, which was made into a 1983 film of the same name directed by Philip Kaufman.

His first fiction novel, The Bonfire of the Vanities, published in 1987, was met with critical acclaim, and also became a commercial success. It was adapted as a major motion picture of the same name, directed by Brian De Palma.

From Wikipedia.
Actor Joseph Campbell has died.
I have noticed lately that Woodstock Wave Boomers have begun to enter their seventies. (Note-its been almost half a century since the vibrant late '60s). In about a decade they will reach the age 80 fragility barrier, and their ranks will start to thin rapidly.

Late wave Boomers will have reached old age.
(05-17-2018, 09:35 AM)Tim Randal Walker Wrote: [ -> ]I have noticed lately that Woodstock Wave Boomers have begun to enter their seventies.  (Note-its been almost half a century since the vibrant late '60s).  In about a decade they will reach the age 80 fragility barrier, and their ranks will start to thin rapidly.  

Late wave Boomers will have reached old age.

I have long envisioned a 50th anniversary reunion of Woodstock in August 2019. Might it be something such as a senior citizens' picnic?
(05-15-2018, 01:51 PM)pbrower2a Wrote: [ -> ]Tom Wolfe, author:

Thomas Kennerly Wolfe Jr. (March 2, 1930 – May 14, 2018)[1] was an American author and journalist, best known for his association with and influence in stimulating the New Journalism, in which literary techniques are used extensively.

He began his career as a regional newspaper reporter in the 1950s, but achieved national prominence in the 1960s following the publication of such best-selling books as The Electric Kool-Aid Acid Test (a highly experimental account of Ken Kesey and the Merry Pranksters), and two collections of articles and essays, Radical Chic & Mau-Mauing the Flak Catchers and The Kandy-Kolored Tangerine-Flake Streamline Baby. In 1979, he published the influential book The Right Stuff about the Mercury Seven astronauts, which was made into a 1983 film of the same name directed by Philip Kaufman.

His first fiction novel, The Bonfire of the Vanities, published in 1987, was met with critical acclaim, and also became a commercial success. It was adapted as a major motion picture of the same name, directed by Brian De Palma.

From Wikipedia.

Another of Mr. Wolfe's accomplishments was labeling the decade of the 1970s as "The Me Decade". From that evolved the phrase "Me Generation" which quite accurately describe the prevailing philosophy of the Boomers after graduation from their "free love" stage. In that stage they focused outward and the "Me Generation" heralded their turning inward. In a fairly recent book titled "Generation Me" author Jean Twenge describes the Millennial Generation as launching the Me First philosophy into overdrive. Is the jury still out on this one?
Two controversial historians:

Bernard Lewis, FBA (31 May 1916 – 19 May 2018) was a British American historian specializing in oriental studies.[1] He was also known as a public intellectual and political commentator. Lewis was the Cleveland E. Dodge Professor Emeritus of Near Eastern Studies at Princeton University. Lewis' expertise was in the history of Islam and the interaction between Islam and the West. He was also noted in academic circles for his works on the history of the Ottoman Empire.[2]

Lewis served as a soldier in the British Army in the Royal Armoured Corps and Intelligence Corps during the Second World War before being seconded to the Foreign Office. After the war, he returned to the School of Oriental and African Studies at the University of London and was appointed to the new chair in Near and Middle Eastern History.

In 2007 and 1999, respectively, Lewis was called "the West's leading interpreter of the Middle East"[3] and "the most influential postwar historian of Islam and the Middle East."[2] His advice was frequently sought by neoconservative policymakers, including the Bush administration.[4] Lewis, therefore, is generally regarded as the dean of Middle East scholars.[5] However, his support of the Iraq War and neoconservative ideals have since come under scrutiny.[6][7][8][9][10][11]

Lewis was also notable for his public debates with Edward Said, who accused Lewis and other orientalists of misrepresenting Islam and serving the purposes of imperialist domination,[12] to which Lewis responded by defending Orientalism as a facet of humanism and accusing Said of politicizing the subject.[2][13] Lewis argued that the deaths of the Armenian Genocide resulted from a struggle between two nationalistic movements[14] and that there is no proof of intent by the Ottoman government to exterminate the Armenian nation.[15] These views prompted a number of scholars to accuse Lewis of genocide denial and resulted in a successful civil lawsuit against him in a French court.[16]

More at Wikipedia

Richard Edgar Pipes (Polish: Ryszard Pipes; July 11, 1923 – May 17, 2018) was a Polish American academic who specialized in Russian history, particularly with respect to the Soviet Union, who espoused a strong anti-communist point of view throughout his career. In 1976 he headed Team B, a team of analysts organized by the Central Intelligence Agency who analyzed the strategic capacities and goals of the Soviet military and political leadership. Pipes was the father of American historian and expert on American foreign policy and the Middle East, Daniel Pipes.

Pipes wrote many books on Russian history, including Russia under the Old Regime (1974), The Russian Revolution (1990), and Russia Under the Bolshevik Regime (1994), and was a frequent interviewee in the press on the matters of Soviet history and foreign affairs. His writings also appear in Commentary, The New York Times, and The Times Literary Supplement. At Harvard, he taught large courses on Imperial Russia as well as the Russian Revolution and guided over 80 graduate students to their PhDs.

Pipes is known for arguing that the origins of the Soviet Union can be traced to the separate path taken by 15th-century Muscovy, in a Russian version of the Sonderweg thesis. In Pipes' opinion, Muscovy differed from every State in Europe in that it had no concept of private property, and that everything was regarded as the property of the Grand Duke/Tsar. In Pipes' view, this separate path undertaken by Russia (possibly under Mongol influence) ensured that Russia would be an autocratic state with values fundamentally dissimilar from those of Western civilization. Pipes argued that this "patrimonialism" of Imperial Russia started to break down when Russian leaders attempted to modernize in the 19th century, without seeking to change the basic "patrimonial" structure of Russian society. In Pipes's opinion, this separate course undertaken by Russia over the centuries made Russia uniquely open to revolution in 1917. Pipes strongly criticized the values of the radical intelligentsia of late Imperial Russia for what he sees as their fanaticism and inability to accept reality. The Russian writer Aleksandr Solzhenitsyn denounced Pipes' work as "the Polish version of Russian history". Pipes, in turn, accused Solzhenitsyn of being an anti-Semitic Russian ultra-nationalist, who sought to blame the ills of Communism on the Jews rather than to admit to the Russian roots of the Soviet Union. Writing of Solzhenitsyn's novel, August 1914 in the New York Times on November 13, 1985, Pipes commented: "Every culture has its own brand of anti-Semitism. In Solzhenitsyn's case, it's not racial. It has nothing to do with blood. He's certainly not a racist; the question is fundamentally religious and cultural. He bears some resemblance to Dostoevsky, who was a fervent Christian and patriot and a rabid anti-Semite. Solzhenitsyn is unquestionably in the grip of the Russian extreme right's view of the Revolution, which is that it was the doing of the Jews".[19] Pipes explained Solzhenitsyn's view of Soviet communism: "[Solzhenitsyn] said it was because Marxism was a Western idea imported into Russia. Whereas my argument is that it has deep roots in Russian history."[20]
Pipes stressed that the Soviet Union was an expansionist, totalitarian state bent on world conquest. He is also notable for the thesis that, contrary to many traditional histories of the USSR at the time, the October Revolution was, rather than a popular general uprising, a coup foisted upon the majority of the Russian population by a tiny segment of the population driven by a select group of intellectuals who subsequently established a one-party dictatorship which was intolerant and repressive from the start, rather than having deviated from an initially benign course. In Pipes's view, the Revolution was a total disaster, as it allowed a small section of the fanatical intelligentsia to carry out policies that were completely unrealistic.[citation needed]

In what was meant to be an "off-the-record" interview, Pipes told Reuters in March 1981 that "Soviet leaders would have to choose between peacefully changing their Communist system in the direction followed by the West or going to war. There is no other alternative and it could go either way – Détente is dead." Pipes also stated in the interview that Foreign Minister Hans-Dietrich Genscher of West Germany was susceptible to pressure from the Soviets. It was learned independently that Pipes was the official who spoke to Reuters. This potentially jeopardized Pipes's job. The White House and the "incensed" State Department issued statements repudiating Pipes's statements.[21]

In 1992, Pipes served as an expert witness in the Constitutional Court of Russia's trial of the Communist Party of the Soviet Union.[22]

The writings of Richard Pipes have provoked criticism in the scholarly community, for example in The Russian Review.[23][24][25][26][27][28]

Criticism of Pipes's interpretation of the events of 1917 has come mostly from "revisionist" Soviet historians, who under the influence of the French Annales school, have tended since the 1970s to center their interpretation of the Russian Revolution on social movements from below in preference to parties and their leaders and interpreted political movements as responding to pressures from below rather than directing them.[29] Among members of this school, Lynne Viola and Sheila Fitzpatrick claim that Pipes focused too narrowly on intellectuals as causal agents. Peter Kenez (a one-time PhD student of Pipes') argued that Pipes approached Soviet History as a prosecutor, intent solely on proving the criminal intent of the "defendant", to the exclusion of anything else.[30] Pipes' critics argued that his historical writings perpetuated the Soviet Union as "evil empire" narrative in an attempt "to put the clock back a few decades to the times when Cold War demonology was the norm".[31][32]

Other critics have written that Pipes wrote at length about what Pipes described as Lenin's "unspoken" assumptions and conclusions, while neglecting what Lenin actually said.[33] Alexander Rabinowitch writes that whenever a document can serve Pipes' long-standing crusade to demonize Lenin, Pipes commented on it at length; if the document allows Lenin to be seen in a less negative light, Pipes passed over it without comment.[26]

Pipes, in his turn – following the demise of the USSR – charged the revisionists with skewing their research, by means of statistics, to support their preconceived ideological interpretation of events, which made the results of their research "as unreadable as they were irrelevant for the understanding of the subject"[34] to provide intellectual cover for Soviet terror and acting as simpletons and/or Communist dupes.[35] He also stated that their attempt at "history from below" only obfuscated the fact that "Soviet citizens were the helpless victims of a totalitarian regime driven primarily by a lust for power".[36]

Again, more at Wikipedia
(05-17-2018, 02:34 PM)beechnut79 Wrote: [ -> ]
(05-17-2018, 09:35 AM)Tim Randal Walker Wrote: [ -> ]I have noticed lately that Woodstock Wave Boomers have begun to enter their seventies.  (Note-its been almost half a century since the vibrant late '60s).  In about a decade they will reach the age 80 fragility barrier, and their ranks will start to thin rapidly.  

Late wave Boomers will have reached old age.

I have long envisioned a 50th anniversary reunion of Woodstock in August 2019. Might it be something such as a senior citizens' picnic?

Can woodstock boomers ever reach old age? Maybe in body, but maybe not in spirit. Some of us believe in reincarnation too, so we'll be back, young as ever. I don't know if peace and love and music are age dependent anyway. Maybe, but what does the 1979 generation have to look forward to celebrate in 2049 or 2059? Thrash rock and head bumping? Xtreme-sports exploits? That indeed will be too hard for 80-year old Xers to do.
Centenarian stage and screen artist and singer

Eileen Patricia Augusta Fraser Morison (March 19, 1915[1] – May 20, 2018) was an American stage and film actress and mezzo-soprano singer.[2] She made her feature film debut in 1939 after several years on the stage. She was lauded as a beauty with large eyes and extremely long, dark hair. During this period of her career, she was often cast as the femme fatale or "other woman". It was only when she returned to the Broadway stage that she achieved her greatest success as the lead in the original production of Cole Porter's Kiss Me, Kate.
You have surely seen some of his film posters, the latest one for J. Edgar...

William Gold (January 3, 1921 – May 20, 2018)[1] was an American graphic designer best known for thousands of film poster designs.[2]

His first film poster was for Yankee Doodle Dandy (1942), and his most recent work was for J. Edgar (2011).
During his 70-year career he worked with some of Hollywood's greatest filmmakers, including Laurence Olivier, Clint Eastwood, Alfred Hitchcock, Stanley Kubrick, Elia Kazan, Ridley Scott, and many more. Among his most famous film posters are those for Casablanca and A Clockwork Orange.

[Image: 220px-CasablancaPoster-Gold.jpg]

[Image: 220px-A_Streetcar_Named_Desire_%281951%29.jpg]

[Image: 220px-SearchersPoster-BillGold.jpg]

[Image: 220px-Original_movie_poster_for_the_film...n_1962.jpg]

[Image: 220px-A_Clockwork_Orange_%281971%29.png]
Philip Milton Roth (March 19, 1933 – May 22, 2018) was an American novelist.

Roth's fiction, regularly set in his birthplace of Newark, New Jersey, is known for its intensely autobiographical character, for philosophically and formally blurring the distinction between reality and fiction, for its "supple, ingenious style" and for its provocative explorations of American identity.[1]

Roth first gained attention with the 1959 novella Goodbye, Columbus, for which he received the U.S. National Book Award for Fiction.[2][3] He became one of the most awarded American writers of his generation. His books twice received the National Book Award and the National Book Critics Circle award, and three times the PEN/Faulkner Award. He received a Pulitzer Prize for his 1997 novel American Pastoral, which featured one of his best-known characters, Nathan Zuckerman, a character in many of Roth's novels. The Human Stain (2000), another Zuckerman novel, was awarded the United Kingdom's WH Smith Literary Award for the best book of the year. In 2001, in Prague, Roth received the inaugural Franz Kafka Prize.

More on his writing:

Roth's work first appeared in print in Chicago Review when he was studying, and later teaching, at the University of Chicago.[8][9][10] His first book, Goodbye, Columbus and Five Short Stories, won the National Book Award in 1960, and afterwards he published two novels, Letting Go and When She Was Good. The publication in 1969 of his fourth and most controversial novel, Portnoy's Complaint, gave Roth widespread commercial and critical success, leading his profile to rise significantly.[3][11] During the 1970s Roth experimented in various modes, from the political satire Our Gang to the Kafkaesque The Breast. By the end of the decade Roth had created his alter ego Nathan Zuckerman. In a series of highly self-referential novels and novellas that followed between 1979 and 1986, Zuckerman appeared as either the main character or an interlocutor.

Sabbath's Theater (1995) may have Roth's most lecherous protagonist, Mickey Sabbath, a disgraced former puppeteer; it won his second National Book Award.[12] In complete contrast, American Pastoral (1997), the first volume of his so-called second Zuckerman trilogy, focuses on the life of virtuous Newark star athlete Swede Levov, and the tragedy that befalls him when Levov's teenage daughter becomes a domestic terrorist during the late 1960s; it won the Pulitzer Prize for Fiction.[13] I Married a Communist (1998) focuses on the McCarthy era. The Human Stain examines identity politics in 1990s America. The Dying Animal (2001) is a short novel about eros and death that revisits literary professor David Kepesh, protagonist of two 1970s works, The Breast and The Professor of Desire. In The Plot Against America (2004), Roth imagines an alternative American history in which Charles Lindbergh, aviator hero and isolationist, is elected U.S. president in 1940, and the U.S. negotiates an understanding with Hitler's Nazi Germany and embarks on its own program of anti-Semitism.

Roth's novel Everyman, a meditation on illness, aging, desire, and death, was published in May 2006. For Everyman Roth won his third PEN/Faulkner Award, making him the only person so honored. Exit Ghost, which again features Nathan Zuckerman, was released in October 2007. It was the last Zuckerman novel.[14] Indignation, Roth's 29th book, was published on September 16, 2008. Set in 1951, during the Korean War, it follows Marcus Messner's departure from Newark to Ohio's Winesburg College, where he begins his sophomore year. In 2009, Roth's 30th book, The Humbling, was published. It tells the story of the last performances of Simon Axler, a celebrated stage actor. Roth's 31st book, Nemesis, was published on October 5, 2010. According to the book's notes, Nemesis is the last in a series of four "short novels," after Everyman, Indignation and The Humbling.

In October 2009, during an interview with Tina Brown of The Daily Beast to promote The Humbling, Roth considered the future of literature and its place in society, stating his belief that within 25 years the reading of novels will be regarded as a "cultic" activity....
Astronaut Alan Bean, one of the few men to have walked on the Moon:

Quote:Alan LaVern Bean (March 15, 1932 – May 26, 2018) was an American naval officer and naval aviator, aeronautical engineer, test pilot, and NASA astronaut; he was the fourth person to walk on the Moon. He was selected to become an astronaut by NASA in 1963 as part of Astronaut Group 3.

He made his first flight into space aboard Apollo 12, the second manned mission to land on the Moon, at age 37 in November 1969. He made his second and final flight into space on the Skylab 3 mission in 1973, the second manned mission to the Skylab space station. After retiring from the United States Navy in 1975 and NASA in 1981, he pursued his interest in painting, depicting various space-related scenes and documenting his own experiences in space as well as that of his fellow Apollo program astronauts. He was the last living crew member of Apollo 12.

Much more at Wikipedia.
Any organists?

Quote:Born in Zaandam, Netherlands, Kee studied organ, piano and composition at the Amsterdam Conservatory, obtaining the Prix d'Excellence, and won first prize at the annual Haarlem International Improvisation Competition three times in succession (1953 to 1955).[3] This was the start of a worldwide career as a concert organist. [4]
Kee taught at the Music Lyceum and Sweelinck Conservatory in Amsterdam from 1954 until 1988, and at the Haarlem International Summer Academy for Organists. He was organist of the Hagerbeer-Schnitger organ in St. Laurens church in Alkmaar from 1952 to 1987, and city organist of the world-famous Müller organ at St. Bavo church in Haarlem from 1956 until 1989.[3][4]

Kee's improvisation skills are renowned. His compositions include the "Haarlem Concerto", which received its first performance by Thomas Trotter in March 2006. His numerous recordings, several of which received awards, include a series of CDs on the Chandos label, covering the repertoire from Sweelinck to Messiaen, recorded on important European historical instruments.[citation needed]

In 1988, with Olivier Messiaen, Kee received an Honorary Fellowship from the Royal College of Organists.[3][4]
In February 2014, several of Kee's compositions were performed in a "Composer's Portrait" concert at the Orgelpark in Amsterdam. This included a version of The Organ for five pipe organs.[5] here].
Kee died in Haarlem 90 years old.
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