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The definitive piece of music for the Generational Cycle - Printable Version +- Generational Theory Forum: The Fourth Turning Forum: A message board discussing generations and the Strauss Howe generational theory (http://generational-theory.com/forum) +-- Forum: Fourth Turning Forums (http://generational-theory.com/forum/forum-1.html) +--- Forum: Theory Related Political Discussions (http://generational-theory.com/forum/forum-14.html) +--- Thread: The definitive piece of music for the Generational Cycle (/thread-597.html) |
The definitive piece of music for the Generational Cycle - pbrower2a - 12-19-2016 For an Idealist, at least... High/1T (first movement), Awakening/2T (second movement), Unraveling/3T (third movement) Crisis/4T (fourth movement). With score! from notes on the YouTube site: pf: Concertgebouw Orchestra conducted by Leonard Bernstein The Symphony No. 1 in D major by Gustav Mahler was mainly composed between late 1887 and March 1888, though it incorporates music Mahler had composed for previous works. It was composed while Mahler was second conductor at the Leipzig Opera, Germany. Although in his letters Mahler almost always referred to the work as a symphony, the first two performances described it as a symphonic poem or tone poem. The work was premièred at the Vigadó Concert Hall, Budapest in 1889, but was not well received. Mahler made some major revisions for the second performance, given at Hamburg in October 1893; further alterations were made in the years prior to the first publication, in late 1898. Some modern performances and recordings give the work the title Titan, despite the fact that Mahler only used this label for two early performances, and never after the work had reached its definitive four-movement form in 1896. In its final form, the symphony has four movements: 0:02 - Langsam, schleppend (Slowly, dragging) Immer sehr gemächlich (very restrained throughout) D major 16:27 - Kräftig bewegt, doch nicht zu schnell (Moving strongly, but not too quickly), Recht gemächlich (restrained), a Trio—a Ländler 25:30 - Feierlich und gemessen, ohne zu schleppen (Solemnly and measured, without dragging), Sehr einfach und schlicht wie eine Volksweise (very simple, like a folk-tune), and Wieder etwas bewegter, wie im Anfang (once again somewhat more agitated, as at the start)—a funeral march based on the children's song "Frère Jacques" (or "Bruder Jacob") 35:55 - Stürmisch bewegt – Energisch (Stormily agitated – Energetic) RE: The definitive piece of music for the Generational Cycle - pbrower2a - 12-19-2016 This is quote possibly the greatest first symphony ever written -- and I know about those of Beethoven, Schumann, Brahms, Tchaikovsky, Sibelius, Ives, Shostakovich, Atterberg, and Simpson... and the one symphony each by Bizet and Franck. If you hear the fourth movement -- what could be more of a Crisis in music? Mahler lived only into the early-twentieth-century unraveling, and in view of his origin (Jewish) he would have never lived far past age 80 in Germany or any Nazi-occupied country. RE: The definitive piece of music for the Generational Cycle - Warren Dew - 12-19-2016 I prefer the Brahms first, but I agree the Mahler is a better fit for the generational sequence. RE: The definitive piece of music for the Generational Cycle - pbrower2a - 03-04-2019 (12-19-2016, 10:57 PM)Warren Dew Wrote: I prefer the Brahms first, but I agree the Mahler is a better fit for the generational sequence.Revision to undo some errors. RE: The definitive piece of music for the Generational Cycle - pbrower2a - 03-12-2021 I'll get back to this soon. I want to put a solid recording of Brahms' string sextet Op. 18 as a young work of a composer of what would be four symphonic masterpieces. Brahms could get the richness of a full orchestra out of six stringed instruments, which may explain why he was slow to write a symphony for full orchestra. He got a full orchestra, or at least much of the effect, from far less than a symphony orchestra. Brahms was then about the same age as Mahler when the latter wrote his First Symphony, a work that on its own would have established him as a great master before age 25. See also Wagner's opera The Flying Dutchman.... and much work by Mozart, Beethoven, Schumann, and Chopin. |