02-01-2021, 05:28 PM
Allan Burns (May 18, 1935 – January 30, 2021) was an American screenwriter and television producer. He was best known for creating and writing for the television sitcom The Munsters as well as The Mary Tyler Moore Show and Rhoda, both of which he created and wrote for alongside James L. Brooks.
Before breaking into television and film, he started in animation, working for Jay Ward and collaborating and animating The Rocky and Bullwinkle Show, Dudley Do-Right, and George of the Jungle.[1] Burns also created the Cap'n Crunch character for Quaker Oats.[2]
After his stint writing for Jay Ward, Burns formed a partnership with Chris Hayward. They created the series The Munsters (1964) and My Mother the Car (1965), and were later hired by producer Leonard Stern as story editors for the CBS series He & She, for which they won an Emmy award for comedy writing.[1] The last project between Hayward and Burns would be as story editors for the sitcom Get Smart.[1] During this time, Burns also co-wrote the unaired version of the 1965 pilot episode of The Smothers Brothers Show.[1]
Burns began a partnership with James L. Brooks in 1969 after being impressed with the television pilot for Brooks's show Room 222. Burns joined the Room 222 writing staff and later produced the series.[1]
After Room 222, television executive Grant Tinker hired Brooks and Burns to develop a television series for CBS starring Mary Tyler Moore.[1] In 1970, The Mary Tyler Moore Show premiered and became a critically acclaimed series, spawning spin-off series such as Lou Grant and Rhoda.[2] Brooks and Burns also created the 1974 situation comedy Paul Sand in Friends and Lovers.[4] Burns also worked as a writer and producer on the shows FM,[2] The Duck Factory,[5][6] Eisenhower and Lutz, and Cutters.[2]
Burns also worked in film, co-writing the film A Little Romance (1979), for which he was nominated for an Academy Award for Best Adapted Screenplay.[7] He also wrote the screenplays Butch and Sundance: The Early Days, Just the Way You Are and wrote and directed Just Between Friends.[8]
https://en.wikipedia.org/wiki/Allan_Burns
Before breaking into television and film, he started in animation, working for Jay Ward and collaborating and animating The Rocky and Bullwinkle Show, Dudley Do-Right, and George of the Jungle.[1] Burns also created the Cap'n Crunch character for Quaker Oats.[2]
After his stint writing for Jay Ward, Burns formed a partnership with Chris Hayward. They created the series The Munsters (1964) and My Mother the Car (1965), and were later hired by producer Leonard Stern as story editors for the CBS series He & She, for which they won an Emmy award for comedy writing.[1] The last project between Hayward and Burns would be as story editors for the sitcom Get Smart.[1] During this time, Burns also co-wrote the unaired version of the 1965 pilot episode of The Smothers Brothers Show.[1]
Burns began a partnership with James L. Brooks in 1969 after being impressed with the television pilot for Brooks's show Room 222. Burns joined the Room 222 writing staff and later produced the series.[1]
After Room 222, television executive Grant Tinker hired Brooks and Burns to develop a television series for CBS starring Mary Tyler Moore.[1] In 1970, The Mary Tyler Moore Show premiered and became a critically acclaimed series, spawning spin-off series such as Lou Grant and Rhoda.[2] Brooks and Burns also created the 1974 situation comedy Paul Sand in Friends and Lovers.[4] Burns also worked as a writer and producer on the shows FM,[2] The Duck Factory,[5][6] Eisenhower and Lutz, and Cutters.[2]
Burns also worked in film, co-writing the film A Little Romance (1979), for which he was nominated for an Academy Award for Best Adapted Screenplay.[7] He also wrote the screenplays Butch and Sundance: The Early Days, Just the Way You Are and wrote and directed Just Between Friends.[8]
https://en.wikipedia.org/wiki/Allan_Burns
The ideal subject of totalitarian rule is not the convinced Nazi or the dedicated Communist but instead the people for whom the distinction between fact and fiction, true and false, no longer exists -- Hannah Arendt.