08-04-2017, 02:16 AM
Editor
Further information: Cuisine of the United States § Modern cuisine
Judith Jones (née Bailey; March 10, 1924 – August 2, 2017)[1] was an American writer and proofreader, best known for having rescued the The Diary of Anne Frank from the reject pile.[2] Jones also championed Julia Child's Mastering the Art of French Cooking.[3][4] She retired as senior editor and vice president at Alfred A. Knopf in 2011.[5] Jones was also a cookbook author and memoirist. She won multiple lifetime achievement awards, including the James Beard Foundation Lifetime Achievement Award in 2006.
Cuisine of the United States § Modern cuisine
Jones joined Knopf in 1957 as an assistant to Blanche Knopf[5] and editor working mainly on translations of French writers such as Albert Camus and Jean-Paul Sartre. Before that she worked for Doubleday, first in New York City and then in Paris, where she read and recommended The Diary of Anne Frank, pulling it out of the rejection pile.[6] Jones recalled that she came across Frank's work in a slush pile of material that had been rejected by other publishers; she was struck by a photograph of the girl on the cover of an advance copy of the French edition. "I read it all day," she noted. "When my boss returned, I told him, 'We have to publish this book.' He said, 'What? That book by that kid?'" She brought the diary to the attention of Doubleday's New York office. "I made the book quite important because I was so taken with it, and I felt it would have a real market in America. It’s one of those seminal books that will never be forgotten," Jones said.[2]
Jones's relationship with Julia Child similarly began when Jones became interested in Child's manuscript Mastering the Art of French Cooking, that had been rejected by a publishing house. After her years in Paris, Jones had moved to New York, where she was frustrated with the ingredients and recipes commonly available in the U.S. Jones said of the book Mastering the Art of French Cooking, "This was the book I had been searching for," and she got it published.[7] In America's postwar years, home cooking was dominated by packaged and frozen food, with an emphasis on ease and speed.
After the success of Child's cookbook, Jones continued to expand the resource options for American home cooks. "I got so excited by Julia's book and what it did for making people better cooks, and the tools that you needed to make it really work in an American city or small town, and I thought, If we could do this for French food, for heavens' sake, let's start doing it for other exotic cuisines!" Jones recalled. "I used the word "exotic," and that meant the Middle East with Claudia Roden, it meant better Indian cooking with Madhur Jaffrey."[8]
Major culinary authors Jones brought into print include Julia Child, Lidia Bastianich, James Beard, Marion Cunningham, Rosie Daley, Edward Giobbi, Marcella Hazan, Madhur Jaffrey, Irene Kuo, Edna Lewis, Joan Nathan, Scott Peacock, Jacques Pépin, Claudia Roden, and Nina Simonds.[9] The 18-book Knopf Cooks American series was Jones' creation.[10]
Jones was also the longtime editor of literary authors John Updike, Anne Tyler, John Hersey, Elizabeth Bowen, Peter Taylor, and William Maxwell.[11] Other major literary authors who were edited by Jones include Langston Hughes, Albert Camus, and Jean-Paul Sartre.
Jones wrote three books with her husband Evan, and wrote three on her own since his death: one on cooking for one person; a memoir of her life and food; and a cookbook for food that can be shared with dogs.
Jones contributed to Vogue, Saveur, Bon Appétit, Departures, and Gourmet magazines. In 2006, she was awarded the James Beard Foundation Lifetime Achievement Award.
She was portrayed by American actress Erin Dilly in the 2009 film, Julie & Julia.
“Learning to like cooking alone is an ongoing process. But the alternative is worse.”[12]
"For a long time, the women — and they were usually women — who wrote about food were treated as second-class citizens. All because they cook! I think that's opened up. A good writer gets some good assignments, and they're treated better somehow. It just takes time."[13]
https://en.wikipedia.org/wiki/Judith_Jones
Further information: Cuisine of the United States § Modern cuisine
Judith Jones (née Bailey; March 10, 1924 – August 2, 2017)[1] was an American writer and proofreader, best known for having rescued the The Diary of Anne Frank from the reject pile.[2] Jones also championed Julia Child's Mastering the Art of French Cooking.[3][4] She retired as senior editor and vice president at Alfred A. Knopf in 2011.[5] Jones was also a cookbook author and memoirist. She won multiple lifetime achievement awards, including the James Beard Foundation Lifetime Achievement Award in 2006.
Cuisine of the United States § Modern cuisine
Jones joined Knopf in 1957 as an assistant to Blanche Knopf[5] and editor working mainly on translations of French writers such as Albert Camus and Jean-Paul Sartre. Before that she worked for Doubleday, first in New York City and then in Paris, where she read and recommended The Diary of Anne Frank, pulling it out of the rejection pile.[6] Jones recalled that she came across Frank's work in a slush pile of material that had been rejected by other publishers; she was struck by a photograph of the girl on the cover of an advance copy of the French edition. "I read it all day," she noted. "When my boss returned, I told him, 'We have to publish this book.' He said, 'What? That book by that kid?'" She brought the diary to the attention of Doubleday's New York office. "I made the book quite important because I was so taken with it, and I felt it would have a real market in America. It’s one of those seminal books that will never be forgotten," Jones said.[2]
Jones's relationship with Julia Child similarly began when Jones became interested in Child's manuscript Mastering the Art of French Cooking, that had been rejected by a publishing house. After her years in Paris, Jones had moved to New York, where she was frustrated with the ingredients and recipes commonly available in the U.S. Jones said of the book Mastering the Art of French Cooking, "This was the book I had been searching for," and she got it published.[7] In America's postwar years, home cooking was dominated by packaged and frozen food, with an emphasis on ease and speed.
After the success of Child's cookbook, Jones continued to expand the resource options for American home cooks. "I got so excited by Julia's book and what it did for making people better cooks, and the tools that you needed to make it really work in an American city or small town, and I thought, If we could do this for French food, for heavens' sake, let's start doing it for other exotic cuisines!" Jones recalled. "I used the word "exotic," and that meant the Middle East with Claudia Roden, it meant better Indian cooking with Madhur Jaffrey."[8]
Major culinary authors Jones brought into print include Julia Child, Lidia Bastianich, James Beard, Marion Cunningham, Rosie Daley, Edward Giobbi, Marcella Hazan, Madhur Jaffrey, Irene Kuo, Edna Lewis, Joan Nathan, Scott Peacock, Jacques Pépin, Claudia Roden, and Nina Simonds.[9] The 18-book Knopf Cooks American series was Jones' creation.[10]
Jones was also the longtime editor of literary authors John Updike, Anne Tyler, John Hersey, Elizabeth Bowen, Peter Taylor, and William Maxwell.[11] Other major literary authors who were edited by Jones include Langston Hughes, Albert Camus, and Jean-Paul Sartre.
Jones wrote three books with her husband Evan, and wrote three on her own since his death: one on cooking for one person; a memoir of her life and food; and a cookbook for food that can be shared with dogs.
Jones contributed to Vogue, Saveur, Bon Appétit, Departures, and Gourmet magazines. In 2006, she was awarded the James Beard Foundation Lifetime Achievement Award.
She was portrayed by American actress Erin Dilly in the 2009 film, Julie & Julia.
“Learning to like cooking alone is an ongoing process. But the alternative is worse.”[12]
"For a long time, the women — and they were usually women — who wrote about food were treated as second-class citizens. All because they cook! I think that's opened up. A good writer gets some good assignments, and they're treated better somehow. It just takes time."[13]
https://en.wikipedia.org/wiki/Judith_Jones
The ideal subject of totalitarian rule is not the convinced Nazi or the dedicated Communist but instead the people for whom the distinction between fact and fiction, true and false, no longer exists -- Hannah Arendt.