07-25-2021, 09:49 PM
comedian Jackie Mason
Jackie Mason (born Yacov Moshe Hakohen Maza; June 9, 1928 – July 24, 2021) was an American stand-up comedian and film and television actor.
His 1986 one-man show The World According to Me! won a Special Tony Award, an Outer Critics Circle Award, an Ace Award, an Emmy Award, and earned a Grammy nomination. Later, his 1988 special Jackie Mason on Broadway won another Emmy Award (for outstanding writing) and another Ace Award, and his 1991 voice-over of Rabbi Hyman Krustofski in The Simpsons episode "Like Father, Like Clown" won Mason a third Emmy Award. He wrote and performed six one-man shows on Broadway.[1]
Known for his delivery and voice, as well as his use of innuendo and pun, Mason's often culturally grounded humor was described as irreverent and sometimes politically incorrect.[2][3] A critic for Time magazine wrote that, throughout his career, Mason spoke to audiences: ".. with the Yiddish locutions of an immigrant who just completed a course in English. By mail."[
His father Eli Maza and his mother, Belle (Gitlin), were born in Minsk, and immigrated to the U.S. in the 1920s with the rest of Mason's family; his father died in 1959.[10][3][5][6][11][12] A Jewish refugee organization helped his father find a position in Sheboygan, as it needed a rabbi.[11] When Mason was five years old his family moved to the Lower East Side of Manhattan in New York City, largely so that he and his siblings could pursue a yeshiva education, where he grew up on Henry Street, Rutgers Street, and Norfolk Street.[3][5][6][11] There, his parents and their friends all spoke Yiddish.[11]
As a teenager, Mason worked as a busboy at resorts in the Borscht Belt in New York's Catskill Mountains.[3] He recalled: "Twenty minutes, at the Pearl Lake Hotel. I broke all the dishes. They made me a lifeguard. 'But I can't swim', I told the owner. 'Don't tell the guests', he says."[5]
In 1953 Mason graduated with a Bachelor of Arts degree in his double major of English and Sociology from the City College of New York.[4][13] At age 18 he became a cantor, and at age 25[14] he received semikhah and was ordained a rabbi (as his three brothers, father, grandfather, and great-grandfather had been).[3][8][15] He led congregations in Weldon, North Carolina, and at Beth Israel Congregation in Latrobe, Pennsylvania.[16][17] He said that in synagogue, "I started telling more and more jokes, and after a while, a lot of gentiles would come to the congregation just to hear the sermons."[8] Three years later, after his father died, he resigned from his job as a rabbi in a synagogue to become a comedian because, he says, "Somebody in the family had to make a living."[5][14]
Mason wrote most of his own material.[4] A sampling of his humor is his commentary on doctors: "That's a great profession, a doctor. Where else can you ask a woman to get undressed and then send the bill to her husband?"[8] And his commentary on what is important in life: "Money is not important. Love is important. Fortunately, I love money."[18] As well as his ruminations on pleasing people: "You can't please everyone. I have a girlfriend. I think she's the most wonderful person in the world. That's to me. But to my wife ..."[19][20] And on trust: "My grandfather always said that I shouldn't watch my money. That I should watch my health. So while I was watching my health, someone stole my money. It was my grandfather."[20] And on fidelity: "Eighty percent of married men cheat in America. The rest cheat in Europe."[20]
He was a comedian at the Fieldston Hotel in Swan Lake, New York, in the summer of 1955.[21] Mason was let go because his act was considered too far ahead of its time. The patrons had not been exposed to a comic who seemed to be ridiculing them. A few years later, Don Rickles came along, but at that point audiences had become open to this type of humor throughout the Borscht Belt. He adopted his stage name after appearing on the Barry Gray radio show.[7] He performed at New York City nightclubs (where he was earning as much as $10,000 ($83,000 in current dollar terms) a week), and on The Steve Allen Show, his first national TV appearance, in 1962, and the Tonight Show with Steve Allen, as well as on The Perry Como Show, The Dean Martin Show, and The Gary Moore Show.[2][4] The William Morris Agency advised him in 1962 to take elocution lessons so that he could shed his heavy Jewish accent, but he refused.[7][8][18]
![[Image: 220px-Jackie_Mason_%40_Hanna.jpg]](https://upload.wikimedia.org/wikipedia/commons/thumb/d/d4/Jackie_Mason_%40_Hanna.jpg/220px-Jackie_Mason_%40_Hanna.jpg)
Mason made several appearances as a guest on The Ed Sullivan Show during the 1960s.[3] He claimed to have been on the episode which featured the American television debut of the Beatles, although research does not bear this fact out.[22] Mason revealed during his appearance on the BBC show Desert Island Discs that at the time he did not think much of the group, referring to them as "four kids in search of a voice who needed haircuts". In 1962 he came out with his initial LP record, a best-seller entitled I'm the Greatest Comedian in the World, Only Nobody Knows It Yet, followed by I Want to Leave You with the Words of a Great Comedian.[7][23]
On October 18, 1964, in an appearance on The Ed Sullivan Show, Mason allegedly gave host Ed Sullivan the finger on air. Footage of the incident shows Mason in the middle of doing his stand-up comedy act and then looking toward Sullivan, who had placed himself directly behind the camera, commenting that Sullivan was signaling him.[4][8] Sullivan was reportedly letting Mason know (by holding up two fingers) that he had only two minutes left, and to cut his act short, as the program was about to cut away due to having been partly pre-empted by an impromptu speech by President Lyndon B. Johnson that the show carried.[4][5]
Mason began working his own fingers into his act to make fun of the situation, and pointed toward Sullivan with an index finger, a thumb, but not, as Sullivan mistakenly believed, his middle finger.[4] Sullivan was infuriated by this, and banned Mason from future appearances on the show, canceling Mason's six-appearance contract worth $45,000 (equivalent to $375,000 in 2020).[4][8] Mason denied knowingly giving Sullivan the middle finger; he later said that he had not heard of the middle finger gesture at that time.[5]
To clear his name, Mason filed a libel suit on the grounds that Sullivan had defamed him at the New York Supreme Court. That court dismissed most of Mason's complaint. Both Mason and Sullivan appealed to the New York Supreme Court Appellate Division (which reinstated three additional causes of action against Sullivan) in June 1966.[2][24][25]
Mason was nevertheless banned from the show for a period of time. Sullivan asserted that Mason was unpredictable and could not be trusted. Because of Sullivan's influence, he was branded as unreliable, volatile, and obscene, and he failed to get substantial television work for the next two decades.[2][4][5][6]
Mason was given a single comeback appearance on Sullivan's television program two years later, and Sullivan publicly apologized to him, but the damage was done.[4] At that time, Mason opened his monologue by saying, "It is a great thrill ... and a fantastic opportunity to see me in person again."[24] Mason later appeared on the show five times: April 23, 1967; February 25, 1968; November 24, 1968; July 22, 1969; and August 31, 1969.[26] Mason later said: "It took twenty years to overcome what happened in one minute".[4]
1965–1985[edit]
In 1969, Mason made his Broadway theater debut as Jewish widower Nat Weiss in the comedy play A Teaspoon Every Four Hours, which he wrote with Mike Mortman.[1] It held the Broadway record of 97 previews and closed after its official opening performance (a preview record succeeded by Spider-Man: Turn Off the Dark with its 182 previews prior to opening). He also appeared in the films The Jerk (1979) and History of the World, Part I (1981).[27]
1986–2011[edit]
In 1986, Mason made a triumphant return to Broadway in the two-year run of The World According to Me! which ran for 367 performances in its first run and 203 performances in its second run at the Brooks Atkinson Theatre, his first of several one-man theatrical shows.[5][28] It was well received both by critics and the public; Frank Rich, the sometimes harsh reviewer of The New York Times, wrote: "So sue me ... Mason was very, very funny".[7] It won a Special Tony Award, an Outer Critics Circle Award, an Ace Award, an Emmy Award, and a Grammy nomination.[29][30] His special Jackie Mason on Broadway won an Emmy Award for outstanding writing and an Ace Award.[29][30]
Mason starred in the movie Caddyshack II (1988), where his character had the same surname, Hartounian, as his character in The Jerk.[27] In 1990 and 1991, Mason again was on Broadway, this time with his successful two-act show Brand New, which ran for 216 performances at the Neil Simon Theatre, which won him his second Outer Critics Circle Award.[7][28][31] Critic Clive Barnes of the New York Post praised the "brilliant" comic and his "totally new from top to tuchis" humor.[28] Critic Mel Gussow of The New York Times remarked on the "exact meeting" between performance and material in which Mason engaged in a comic attack on everyone, including himself, cutting them all down to size.[28]
In 1992, Mason won a Primetime Emmy Award for Outstanding Voice-Over Performance for his voice-over of Rabbi Hyman Krustofski in The Simpsons episode "Like Father, Like Clown",[32] making him the first guest star to win an Emmy for his role. Mason also appeared in The Simpsons episodes "Today I Am a Clown", "Once Upon a Time in Springfield", "The Ten-Per-Cent Solution", "At Long Last Leave", and "Clown in the Dumps"; the last episode focuses upon Rabbi Krustofski's death and its effects on his son, Krusty the Clown.[33]
![[Image: 200px-Jackie_Mason_%2826780366916%29_%28cropped%29.jpg]](https://upload.wikimedia.org/wikipedia/commons/thumb/d/d2/Jackie_Mason_%2826780366916%29_%28cropped%29.jpg/200px-Jackie_Mason_%2826780366916%29_%28cropped%29.jpg)
One of his Broadway shows, his two-act Politically Incorrect (1994–95) ran for 347 performances at Broadway's [url=https://en.wikipedia.org/wiki/John_Golden_Theater]John Golden Theater.[2][28] Critic John Simon of Time wrote: "His method is hyperbole and reductio ad absurdum, but always informed by bitter reason. His irony is a spotlight illuminating our absurdities; his zingers are scalpels laying bare the sickness under the skin. There is a unifying thrust, a focus, a structure: an attack on both liberal hypocrisy and conservative apathy, and on the climate of political correctness that makes it impossible to attack anyone but WASPs. ... Mason is a true satirist in the mold of ... Mark Twain . ... "[34] It was performed during the same period that Bill Maher's late-night, half-hour political TV talk show Politically Incorrect was on the air.[2][28] Maher brought a lawsuit against Mason's production, which was dismissed as frivolous. Mason was able to use this show title, and it is one of his most successful road productions. Between these shows, Mason played the lead in a short-lived television interfaith sitcom called Chicken Soup alongside Lynn Redgrave.[4]
Mason also put on the Broadway one-man shows Love thy Neighbor (1996–97) which ran for 225 performances at the Booth Theatre (critic Lawrence Van Gelder of The New York Times described Mason's routines as "roaringly funny"), Much Ado About Everything (1999–2000) which was nominated for a Laurence Olivier Award for Best Entertainment for its run in London) and ran for 183 performances at the John Golden Theatre (in this effort Van Gelder described Mason as "convulsing audiences"), Prune Danish (2002; nominated for a Tony Award for Best Special Theatrical Event), Jackie Mason: Freshly Squeezed (2005; for which he was nominated for a Drama Desk Award for Outstanding Solo Performance), and The Ultimate Jew (2008).[4][28][31][35][36]
In a 2005 poll to find the Comedian's Comedian, Mason was voted #43 among the top-50 comedy acts ever by fellow comedians and comedy insiders.[30] He was also ranked #63 in "Comedy Central Presents: 100 Greatest Stand-Ups of All Time".[37] He holds the record for the longest-running one-man show in Broadway history and the longest-running stand-up show in the history of London's West End.[38]
His full-length courtroom dramedy motion picture One Angry Man was released in 2010 throughout the US and Canada. Mason's most recent film Jackie Goldberg: Private Dick (2011) was a direct-to-DVD production, released by FilmWorks Entertainment.[39]
Jackie Mason (born Yacov Moshe Hakohen Maza; June 9, 1928 – July 24, 2021) was an American stand-up comedian and film and television actor.
His 1986 one-man show The World According to Me! won a Special Tony Award, an Outer Critics Circle Award, an Ace Award, an Emmy Award, and earned a Grammy nomination. Later, his 1988 special Jackie Mason on Broadway won another Emmy Award (for outstanding writing) and another Ace Award, and his 1991 voice-over of Rabbi Hyman Krustofski in The Simpsons episode "Like Father, Like Clown" won Mason a third Emmy Award. He wrote and performed six one-man shows on Broadway.[1]
Known for his delivery and voice, as well as his use of innuendo and pun, Mason's often culturally grounded humor was described as irreverent and sometimes politically incorrect.[2][3] A critic for Time magazine wrote that, throughout his career, Mason spoke to audiences: ".. with the Yiddish locutions of an immigrant who just completed a course in English. By mail."[
His father Eli Maza and his mother, Belle (Gitlin), were born in Minsk, and immigrated to the U.S. in the 1920s with the rest of Mason's family; his father died in 1959.[10][3][5][6][11][12] A Jewish refugee organization helped his father find a position in Sheboygan, as it needed a rabbi.[11] When Mason was five years old his family moved to the Lower East Side of Manhattan in New York City, largely so that he and his siblings could pursue a yeshiva education, where he grew up on Henry Street, Rutgers Street, and Norfolk Street.[3][5][6][11] There, his parents and their friends all spoke Yiddish.[11]
As a teenager, Mason worked as a busboy at resorts in the Borscht Belt in New York's Catskill Mountains.[3] He recalled: "Twenty minutes, at the Pearl Lake Hotel. I broke all the dishes. They made me a lifeguard. 'But I can't swim', I told the owner. 'Don't tell the guests', he says."[5]
In 1953 Mason graduated with a Bachelor of Arts degree in his double major of English and Sociology from the City College of New York.[4][13] At age 18 he became a cantor, and at age 25[14] he received semikhah and was ordained a rabbi (as his three brothers, father, grandfather, and great-grandfather had been).[3][8][15] He led congregations in Weldon, North Carolina, and at Beth Israel Congregation in Latrobe, Pennsylvania.[16][17] He said that in synagogue, "I started telling more and more jokes, and after a while, a lot of gentiles would come to the congregation just to hear the sermons."[8] Three years later, after his father died, he resigned from his job as a rabbi in a synagogue to become a comedian because, he says, "Somebody in the family had to make a living."[5][14]
Mason wrote most of his own material.[4] A sampling of his humor is his commentary on doctors: "That's a great profession, a doctor. Where else can you ask a woman to get undressed and then send the bill to her husband?"[8] And his commentary on what is important in life: "Money is not important. Love is important. Fortunately, I love money."[18] As well as his ruminations on pleasing people: "You can't please everyone. I have a girlfriend. I think she's the most wonderful person in the world. That's to me. But to my wife ..."[19][20] And on trust: "My grandfather always said that I shouldn't watch my money. That I should watch my health. So while I was watching my health, someone stole my money. It was my grandfather."[20] And on fidelity: "Eighty percent of married men cheat in America. The rest cheat in Europe."[20]
He was a comedian at the Fieldston Hotel in Swan Lake, New York, in the summer of 1955.[21] Mason was let go because his act was considered too far ahead of its time. The patrons had not been exposed to a comic who seemed to be ridiculing them. A few years later, Don Rickles came along, but at that point audiences had become open to this type of humor throughout the Borscht Belt. He adopted his stage name after appearing on the Barry Gray radio show.[7] He performed at New York City nightclubs (where he was earning as much as $10,000 ($83,000 in current dollar terms) a week), and on The Steve Allen Show, his first national TV appearance, in 1962, and the Tonight Show with Steve Allen, as well as on The Perry Como Show, The Dean Martin Show, and The Gary Moore Show.[2][4] The William Morris Agency advised him in 1962 to take elocution lessons so that he could shed his heavy Jewish accent, but he refused.[7][8][18]
![[Image: 220px-Jackie_Mason_%40_Hanna.jpg]](https://en.wikipedia.org/wiki/File:Jackie_Mason_@_Hanna.jpg)
Mason made several appearances as a guest on The Ed Sullivan Show during the 1960s.[3] He claimed to have been on the episode which featured the American television debut of the Beatles, although research does not bear this fact out.[22] Mason revealed during his appearance on the BBC show Desert Island Discs that at the time he did not think much of the group, referring to them as "four kids in search of a voice who needed haircuts". In 1962 he came out with his initial LP record, a best-seller entitled I'm the Greatest Comedian in the World, Only Nobody Knows It Yet, followed by I Want to Leave You with the Words of a Great Comedian.[7][23]
On October 18, 1964, in an appearance on The Ed Sullivan Show, Mason allegedly gave host Ed Sullivan the finger on air. Footage of the incident shows Mason in the middle of doing his stand-up comedy act and then looking toward Sullivan, who had placed himself directly behind the camera, commenting that Sullivan was signaling him.[4][8] Sullivan was reportedly letting Mason know (by holding up two fingers) that he had only two minutes left, and to cut his act short, as the program was about to cut away due to having been partly pre-empted by an impromptu speech by President Lyndon B. Johnson that the show carried.[4][5]
Mason began working his own fingers into his act to make fun of the situation, and pointed toward Sullivan with an index finger, a thumb, but not, as Sullivan mistakenly believed, his middle finger.[4] Sullivan was infuriated by this, and banned Mason from future appearances on the show, canceling Mason's six-appearance contract worth $45,000 (equivalent to $375,000 in 2020).[4][8] Mason denied knowingly giving Sullivan the middle finger; he later said that he had not heard of the middle finger gesture at that time.[5]
To clear his name, Mason filed a libel suit on the grounds that Sullivan had defamed him at the New York Supreme Court. That court dismissed most of Mason's complaint. Both Mason and Sullivan appealed to the New York Supreme Court Appellate Division (which reinstated three additional causes of action against Sullivan) in June 1966.[2][24][25]
Mason was nevertheless banned from the show for a period of time. Sullivan asserted that Mason was unpredictable and could not be trusted. Because of Sullivan's influence, he was branded as unreliable, volatile, and obscene, and he failed to get substantial television work for the next two decades.[2][4][5][6]
Mason was given a single comeback appearance on Sullivan's television program two years later, and Sullivan publicly apologized to him, but the damage was done.[4] At that time, Mason opened his monologue by saying, "It is a great thrill ... and a fantastic opportunity to see me in person again."[24] Mason later appeared on the show five times: April 23, 1967; February 25, 1968; November 24, 1968; July 22, 1969; and August 31, 1969.[26] Mason later said: "It took twenty years to overcome what happened in one minute".[4]
1965–1985[edit]
In 1969, Mason made his Broadway theater debut as Jewish widower Nat Weiss in the comedy play A Teaspoon Every Four Hours, which he wrote with Mike Mortman.[1] It held the Broadway record of 97 previews and closed after its official opening performance (a preview record succeeded by Spider-Man: Turn Off the Dark with its 182 previews prior to opening). He also appeared in the films The Jerk (1979) and History of the World, Part I (1981).[27]
1986–2011[edit]
In 1986, Mason made a triumphant return to Broadway in the two-year run of The World According to Me! which ran for 367 performances in its first run and 203 performances in its second run at the Brooks Atkinson Theatre, his first of several one-man theatrical shows.[5][28] It was well received both by critics and the public; Frank Rich, the sometimes harsh reviewer of The New York Times, wrote: "So sue me ... Mason was very, very funny".[7] It won a Special Tony Award, an Outer Critics Circle Award, an Ace Award, an Emmy Award, and a Grammy nomination.[29][30] His special Jackie Mason on Broadway won an Emmy Award for outstanding writing and an Ace Award.[29][30]
Mason starred in the movie Caddyshack II (1988), where his character had the same surname, Hartounian, as his character in The Jerk.[27] In 1990 and 1991, Mason again was on Broadway, this time with his successful two-act show Brand New, which ran for 216 performances at the Neil Simon Theatre, which won him his second Outer Critics Circle Award.[7][28][31] Critic Clive Barnes of the New York Post praised the "brilliant" comic and his "totally new from top to tuchis" humor.[28] Critic Mel Gussow of The New York Times remarked on the "exact meeting" between performance and material in which Mason engaged in a comic attack on everyone, including himself, cutting them all down to size.[28]
In 1992, Mason won a Primetime Emmy Award for Outstanding Voice-Over Performance for his voice-over of Rabbi Hyman Krustofski in The Simpsons episode "Like Father, Like Clown",[32] making him the first guest star to win an Emmy for his role. Mason also appeared in The Simpsons episodes "Today I Am a Clown", "Once Upon a Time in Springfield", "The Ten-Per-Cent Solution", "At Long Last Leave", and "Clown in the Dumps"; the last episode focuses upon Rabbi Krustofski's death and its effects on his son, Krusty the Clown.[33]
![[Image: 200px-Jackie_Mason_%2826780366916%29_%28cropped%29.jpg]](https://en.wikipedia.org/wiki/File:Jackie_Mason_(26780366916)_(cropped).jpg)
One of his Broadway shows, his two-act Politically Incorrect (1994–95) ran for 347 performances at Broadway's [url=https://en.wikipedia.org/wiki/John_Golden_Theater]John Golden Theater.[2][28] Critic John Simon of Time wrote: "His method is hyperbole and reductio ad absurdum, but always informed by bitter reason. His irony is a spotlight illuminating our absurdities; his zingers are scalpels laying bare the sickness under the skin. There is a unifying thrust, a focus, a structure: an attack on both liberal hypocrisy and conservative apathy, and on the climate of political correctness that makes it impossible to attack anyone but WASPs. ... Mason is a true satirist in the mold of ... Mark Twain . ... "[34] It was performed during the same period that Bill Maher's late-night, half-hour political TV talk show Politically Incorrect was on the air.[2][28] Maher brought a lawsuit against Mason's production, which was dismissed as frivolous. Mason was able to use this show title, and it is one of his most successful road productions. Between these shows, Mason played the lead in a short-lived television interfaith sitcom called Chicken Soup alongside Lynn Redgrave.[4]
Mason also put on the Broadway one-man shows Love thy Neighbor (1996–97) which ran for 225 performances at the Booth Theatre (critic Lawrence Van Gelder of The New York Times described Mason's routines as "roaringly funny"), Much Ado About Everything (1999–2000) which was nominated for a Laurence Olivier Award for Best Entertainment for its run in London) and ran for 183 performances at the John Golden Theatre (in this effort Van Gelder described Mason as "convulsing audiences"), Prune Danish (2002; nominated for a Tony Award for Best Special Theatrical Event), Jackie Mason: Freshly Squeezed (2005; for which he was nominated for a Drama Desk Award for Outstanding Solo Performance), and The Ultimate Jew (2008).[4][28][31][35][36]
In a 2005 poll to find the Comedian's Comedian, Mason was voted #43 among the top-50 comedy acts ever by fellow comedians and comedy insiders.[30] He was also ranked #63 in "Comedy Central Presents: 100 Greatest Stand-Ups of All Time".[37] He holds the record for the longest-running one-man show in Broadway history and the longest-running stand-up show in the history of London's West End.[38]
His full-length courtroom dramedy motion picture One Angry Man was released in 2010 throughout the US and Canada. Mason's most recent film Jackie Goldberg: Private Dick (2011) was a direct-to-DVD production, released by FilmWorks Entertainment.[39]
The ideal subject of totalitarian rule is not the convinced Nazi or the dedicated Communist but instead the people for whom the distinction between fact and fiction, true and false, no longer exists -- Hannah Arendt.