03-24-2020, 10:41 AM
Albert Uderzo, French cartoonist
Alberto Aleandro Uderzo (French: [albɛʁ ydɛʁzo]; Italian: [uˈdɛrtso]; 25 April 1927 – 24 March 2020),[1] known as Albert Uderzo, was a French comic book artist and scriptwriter. The son of Italian immigrants, he is best known as the co-founder and illustrator of the Astérix series in collaboration with René Goscinny. He also drew other comics such as Oumpah-pah, again with Goscinny. Uderzo retired in September 2011.
Uderzo came in touch with the arts for the first time during kindergarten, where he was noted as talented for his age. Most of his siblings also shared certain artistic talents, and their mother used sheets of paper and pencils to give the children, especially her oldest son Bruno, something to do. Bruno became an inspiration for Albert and in turn, soon noted the younger brother's talent. At this point, Albert did not yet aim to become a professional artist later in life and instead dreamt about a career as a clown and, after dropping that aspiration, aimed to follow Bruno into the craft of aircraft engineering. At the same time, he came in contact with the American comic and animated cartoon cultures, particularly with the early works of Walt Disney like Mickey Mouse and Donald Duck. The family moved to the Rue de Montreuil in the 11th arrondissement of Paris in October 1938, changing both schools and the social vicinity. Although Albert, blonde and now equipped with a Parisian accent, was no longer easily recognized as of Italian heritage, he nonetheless had problems in school. His only successful area in his educational pursuits was sketching and the arts. It would take him until around the age of 11 or 12 to go from sketching to painting in colors, however, which was when his parents discovered that Uderzo was color blind. From then on, Uderzo would use labels on his colors, but as he mostly stuck with black-and-white sketching, it would not make a huge impact on his artistic career either way.[5]
In September 1939, Germany invaded Poland and France declared war on Germany in response. Albert's father Silvio, by then 51, was too old to be conscripted into the French army, whereas Albert himself was too young at 12. Bruno, however, was of military age and was called to action. He survived his military service without injury, and the Battle of France lasted between 10 May and 25 June 1940, ending in a decisive German victory and resulting in a German occupation of France. Albert soon finished his basic education at the age of 13 and decided to follow Bruno into aircraft engineering.[5][/url]
Throughout some more creations and travelling for the next few years, he eventually met [url=https://en.wikipedia.org/wiki/Ren%C3%A9_Goscinny]René Goscinny in 1951. The two men quickly became good friends, and decided to work together in 1952 at the newly opened Paris office of the Belgian company, World Press. Their first creations were the characters Oumpah-pah, Jehan Pistolet and Luc Junior.[7][8] In 1958 they adapted Oumpah-pah for serial publication in the Franco-Belgian comics magazine Tintin, where it ran until 1962.[9] In 1959 Goscinny and Uderzo became editor and artistic director (respectively) of Pilote magazine, a new venture aimed at older children. The magazine's first issue introduced Astérix to the French world, and it was an instant hit.[7][10] During this period Uderzo also collaborated with Jean-Michel Charlier on the realistic series Michel Tanguy, later named Les Aventures de Tanguy et Laverdure.[7]
Astérix was serialised in Pilote, but in 1961 the first album Astérix le gaulois (Asterix the Gaul) was published as an individual album. By 1967, the comic had become so popular that both decided to completely dedicate their time to the series. After Goscinny's death in 1977, Uderzo continued to write and illustrate the books on his own, though at a significantly slower pace (averaging one album every three to five years compared to two albums a year when working with Goscinny). The cover credits still read "Goscinny and Uderzo".
https://en.wikipedia.org/wiki/Albert_Uderzo
Much more here.
Alberto Aleandro Uderzo (French: [albɛʁ ydɛʁzo]; Italian: [uˈdɛrtso]; 25 April 1927 – 24 March 2020),[1] known as Albert Uderzo, was a French comic book artist and scriptwriter. The son of Italian immigrants, he is best known as the co-founder and illustrator of the Astérix series in collaboration with René Goscinny. He also drew other comics such as Oumpah-pah, again with Goscinny. Uderzo retired in September 2011.
Uderzo came in touch with the arts for the first time during kindergarten, where he was noted as talented for his age. Most of his siblings also shared certain artistic talents, and their mother used sheets of paper and pencils to give the children, especially her oldest son Bruno, something to do. Bruno became an inspiration for Albert and in turn, soon noted the younger brother's talent. At this point, Albert did not yet aim to become a professional artist later in life and instead dreamt about a career as a clown and, after dropping that aspiration, aimed to follow Bruno into the craft of aircraft engineering. At the same time, he came in contact with the American comic and animated cartoon cultures, particularly with the early works of Walt Disney like Mickey Mouse and Donald Duck. The family moved to the Rue de Montreuil in the 11th arrondissement of Paris in October 1938, changing both schools and the social vicinity. Although Albert, blonde and now equipped with a Parisian accent, was no longer easily recognized as of Italian heritage, he nonetheless had problems in school. His only successful area in his educational pursuits was sketching and the arts. It would take him until around the age of 11 or 12 to go from sketching to painting in colors, however, which was when his parents discovered that Uderzo was color blind. From then on, Uderzo would use labels on his colors, but as he mostly stuck with black-and-white sketching, it would not make a huge impact on his artistic career either way.[5]
In September 1939, Germany invaded Poland and France declared war on Germany in response. Albert's father Silvio, by then 51, was too old to be conscripted into the French army, whereas Albert himself was too young at 12. Bruno, however, was of military age and was called to action. He survived his military service without injury, and the Battle of France lasted between 10 May and 25 June 1940, ending in a decisive German victory and resulting in a German occupation of France. Albert soon finished his basic education at the age of 13 and decided to follow Bruno into aircraft engineering.[5][/url]
Throughout some more creations and travelling for the next few years, he eventually met [url=https://en.wikipedia.org/wiki/Ren%C3%A9_Goscinny]René Goscinny in 1951. The two men quickly became good friends, and decided to work together in 1952 at the newly opened Paris office of the Belgian company, World Press. Their first creations were the characters Oumpah-pah, Jehan Pistolet and Luc Junior.[7][8] In 1958 they adapted Oumpah-pah for serial publication in the Franco-Belgian comics magazine Tintin, where it ran until 1962.[9] In 1959 Goscinny and Uderzo became editor and artistic director (respectively) of Pilote magazine, a new venture aimed at older children. The magazine's first issue introduced Astérix to the French world, and it was an instant hit.[7][10] During this period Uderzo also collaborated with Jean-Michel Charlier on the realistic series Michel Tanguy, later named Les Aventures de Tanguy et Laverdure.[7]
Astérix was serialised in Pilote, but in 1961 the first album Astérix le gaulois (Asterix the Gaul) was published as an individual album. By 1967, the comic had become so popular that both decided to completely dedicate their time to the series. After Goscinny's death in 1977, Uderzo continued to write and illustrate the books on his own, though at a significantly slower pace (averaging one album every three to five years compared to two albums a year when working with Goscinny). The cover credits still read "Goscinny and Uderzo".
https://en.wikipedia.org/wiki/Albert_Uderzo
Much more here.
The ideal subject of totalitarian rule is not the convinced Nazi or the dedicated Communist but instead the people for whom the distinction between fact and fiction, true and false, no longer exists -- Hannah Arendt.