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Obituaries
Kitty O'Neill, stuntwoman amd daredevil driver

The Hollywood Reporter


Kitty O'Neil, a deaf Hollywood stuntwoman, daredevil and protege of Hal Needham who doubled for Lynda Carter on Wonder Woman and set a land-speed record as the fastest woman driver ever, has died. She was 72.

O'Neil died Friday at Eureka Community Hospital in Eureka, South Dakota. Her longtime friend, former stuntman Ky Michaelson, told The Hollywood Reporter that she died of pneumonia and had recently suffered a heart attack.

Five-foot-2 and 97 pounds, O'Neil worked on such movies as Airport 1975, Two-Minute Warning (1976), Airport '77, Damien: Omen II (1978), Foul Play (1978), The Blues Brothers (1980) and the Needham-directed Smokey and the Bandit II (1980).

She accomplished her most famous Hollywood stunt in 1979 when, dressed as Wonder Woman, she plunged headfirst 127 feet from atop the Valley Hilton in Sherman Oaks onto an inflatable air bag set up on the hotel's pool deck.

"If I hadn't hit the center of the bag, I probably would have been killed," she told The Washington Post in 1979.

O'Neil was set on fire during her career and was the first woman to pull off a "cannon-fired" car roll, in which an explosive charge under the vehicle propels it to rise up and tumble over and over.

On Dec. 6, 1976, the native Texan shattered the land-speed record for female drivers, posting an average speed of 512.71 mph while piloting a hydrogen peroxide-fueled, three-wheeled machine over a 5/8th-mile straightaway in the Alvord Desert in Oregon.

O'Neil also raced boats, dune buggies and motorcycles and was a champion three-meter and platform diver. She had her own Barbie doll, and Stockard Channing portrayed her in a 1979 CBS telefilm, Silent Victory: The Kitty O'Neil Story.

"She scared the heck out of me," Michaelson told THR. "I never met a human being that had no fear." In the Mojave Desert in 1977, O'Neil drove a rocket dragster built by Michelson to a top speed of 279.5 mph.

Kitty Linn O'Neil was born on March 24, 1946, in Corpus Christi, Texas. Her father was an Irish oilman and her mother a full-blooded Cherokee Native American who became a speech therapist. She contracted measles and smallpox when she was 4 months old and lost her hearing. Her parents didn't know she couldn't hear until she was 2.

"My mother pushed me to read lips," she told People magazine in 1977, "but she didn't push me in sports — I did that myself. Because I was deaf, I had a very positive mental attitude. You have to show people you can do anything."

O'Neil took up the sport of diving, and in 1962 she moved to Anaheim to train with two-time Olympic gold medalist Sammy Lee. Her hopes of competing in the 1964 Summer Games in Tokyo were derailed when she broke her wrist and then contracted spinal meningitis, which threatened to paralyze her.

In the '70s, O'Neil joined Needham's racing team, and he trained her to become a stuntwoman. She was the first female to join Stunts Unlimited, an elite group of performers co-founded by Needham; there were fewer than 40 members when she came aboard in 1976.

O'Neil set the women's water-skiing record of 104.85 mph and once drove a boat 275 mph. She retired in 1982 with nearly two dozen speed records on land and water.

"I'm not afraid of anything," she said in 2015. "Just do it. It's good when you finish, [you know] you made it."

O'Neil always regretted not getting the opportunity to top the male driver record of 630.388 mph set by Gary Gabelich at Bonneville Salt Flats in Utah in 1970. She even thought breaking the sonic barrier (about 767 mph) was within her reach.

In 1993, she relocated to Eureka. "I got tired of living in L.A.," she said. "I don't like the big city, too many people. So I moved here and fell in love with it. The people are so friendly."

Some of her racing and stuntwoman memorabilia can be found in the town's Eureka Pioneer Museum.

O'Neil had no children and no survivors, Michaelson said. She was romantically involved with Needham and another stuntman, Duffy Hambleton. (Michaelson said she was never married to Hambleton — portrayed by James Farentino in the Channing telefilm — contrary to news stories over the years.)

Rhett Bartlett contributed to this report.
The ideal subject of totalitarian rule is not the convinced Nazi or the dedicated Communist  but instead the people for whom the distinction between fact and fiction, true and false, no longer exists -- Hannah Arendt.


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Football Hall of Fame member Wallace Triplett


Wallace Triplett (April 18, 1926 – November 8, 2018) was a professional American football player, the first African-American draftee to play for a National Football League team.[1] For that reason, his portrait hangs in the Pro Football Hall of Fame in Canton, Ohio.


Triplett, the son of a postal worker, was born and raised in the Philadelphia suburb of La Mott, Pennsylvania, part of Cheltenham Township.[2] His reputation as a talented high school football player, combined with his upscale address, prompted the University of Miami to offer him a scholarship sight unseen, under the assumption Triplett was white. The then-segregated university rescinded the scholarship when they discovered Triplett was black. Triplett instead earned a Senatorial Scholarship for his academics and chose to attend Penn State University in the fall of 1945.[2]

Although Triplett was the third African-American chosen in the 1949 NFL Draft, he was the first of the draftees to take the field in a league game. Undrafted "free agent" African-Americans had previously played in the league.[4] The 5'-10", 173-pound running back and return specialist played for the Detroit Lions from 1949–50.
On October 29, 1950, in a game against the Los Angeles Rams, Triplett set the Lions' single-game record for kickoff return yardage with 294 yards, the second-highest total (NFL record is 304 yards) in NFL history, including a 97-yard touchdown return.[5][6] His average of 73.5 yards per return in that game is also an NFL record.[6]
Following the 1950 season, Triplett became the first NFL player drafted into military service for the Korean War. When he returned from active duty, the Lions traded him to the Chicago Cardinals. He retired from professional football in 1953. After his playing days, Triplett worked as a teacher, in the insurance business, and in management for the Chrysler Corporation.


https://en.wikipedia.org/wiki/Wallace_Triplett
The ideal subject of totalitarian rule is not the convinced Nazi or the dedicated Communist  but instead the people for whom the distinction between fact and fiction, true and false, no longer exists -- Hannah Arendt.


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In case you forgot, horse racing and horse training have their dangers to Man and horse alike.



Exercise rider and horse dead after early-morning accident at Churchill Downs
Jacob Bogage
8 hrs ago


[Image: BBPyi8O.img?h=216&w=270&m=6&q=60&o=f&l=f&x=374&y=127]© Churchill Downs/ Exercise rider Odanis Acuna died Saturday morning at Churchill Downs. (Courtesy of Churchill Downs)

A longtime exercise rider and the horse he was riding both died after a training accident early Saturday morning at Churchill Downs racetrack in Louisville.

Odanis Acuna was “breezing,” or gently working out, 2-year-old colt New York Harbor just before 6 a.m., when the horse broke down about a sixteeth of a mile from the finish line. The horse broke either one or several bones in his leg and Acuna sustained fatal injuries to the head and neck during the fall, trainer Kenny McPeek told racing magazine Blood Horse.
On-site emergency workers arrived quickly to treat the rider, Churchill Downs said in a news release, but they “believe he died instantly.” Acuna was 42.

“He was a good man — a very good man,” McPeek told Blood Horse. “It’s not an easy day. Just a really bad day. Our heart was swallowed.”

Churchill Downs halted training after the accident. The track held a moment of silence before the afternoon’s first race at 1 o’clock.
Acuna was a native of Cuba who had worked for McPeek for close to a decade. Churchill Downs officials said he was focused on saving money to bring his wife and three sons, including twin boys, from Cuba to Kentucky. He was in the process of purchasing a home and completing immigration paperwork for the move.
“He was just a wonderful, wonderful person,” Sherry Stanley, executive director of the Backside Learning Center at the racetrack, said in the release.

Acuna also worked a side job selling feed to send money home to his family, McPeek told Blood Horse.
“When he started with me he had little or nothing and he got himself pretty well set up and had been saving money,” McPeek said. “He bought himself a car and was getting ready to buy a house. He was hard at it all day, every day. We worked together a long time and he traveled with us wherever we went. He rode a lot of my best horses for years and was a guy who could handle just about any horse you put him on. He was just a good guy and loved what he was doing. I am just sickened by this tragedy.”

The horse, New York Harbor, was an unraced colt. He was euthanized shortly after the accident. Broken bones in horses' legs are often very difficult to heal. More than 300 racehorses have died either training or during a race in 2018, according to Horseracingwrongs.com.
It has been “several decades” since an exercise rider died at Churchill Downs, the track said in the news release. McPeek said he has never had a rider sustain serious injuries.

“As long as I’ve been at it,” he said to Blood Horse, “I’ve had a rider hurt an arm or a leg — never anything major. We’re just all really sad and trying to work through it.”

https://www.msn.com/en-us/news/other/exe...smsnnews11
The ideal subject of totalitarian rule is not the convinced Nazi or the dedicated Communist  but instead the people for whom the distinction between fact and fiction, true and false, no longer exists -- Hannah Arendt.


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the voice of HAL 9000 in 2001: A Space Odyssey

Douglas Rain (March 13, 1928 – November 11, 2018) was an Canadian actor and narrator. Though primarily a stage actor, he is also known for providing the voice of the HAL 9000 computer for the film 2001: A Space Odyssey (1968) and its sequel, 2010 (1984).

Rain was born in Winnipeg, Manitoba. He studied acting at the Banff School of Fine Arts in Banff, Alberta and the Bristol Old Vic Theatre School in Bristol, England. As a stage actor, his association with the Stratford Festival of Canada spans more than four decades.

He has performed in a wide variety of theatrical roles, most notably in a Stratford, Ontario production of Henry V, which was adapted for television in 1966.[1] In 1972, Rain was nominated for the Tony Award for Best Supporting or Featured Actor (Dramatic) for his performance in Vivat! Vivat Regina![citation needed] Douglas Rain died in November 11, 2018, at the age of 90 at St. Marys Memorial Hospital of natural causes.[2]
The ideal subject of totalitarian rule is not the convinced Nazi or the dedicated Communist  but instead the people for whom the distinction between fact and fiction, true and false, no longer exists -- Hannah Arendt.


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No mo superhetoes- RlP Stan Lee, another Gl gone Sad
Heart  Bernie/Tulsi 2020    Heart
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...and farewell to one of the few truly great country musicians, Roy Clark, virtuoso of the banjo. 



Clark was born in Meherrin, Virginia. Roy also grew up in Staten Island, New York and lived as a teenager in southeast Washington, D.C., where his father worked at the Washington Navy Yard. At 14, Clark began playing banjo, guitar, and mandolin, and by age 15 he had already won two National Banjo Championships[5] and world banjo/guitar flatpick championships. He was simultaneously pursuing a sporting career, first as a baseball player and then as a boxer, before dedicating himself solely to music. At 17, he had his first appearance on the Grand Ole Opry.

At the age of 23, Clark obtained his pilot's license and then bought a 1953 Piper Tri-Pacer (N1132C), which he flew for many years. This plane was raffled off on December 17, 2012, to benefit the charity Wings of Hope.[6] He has owned other planes, including a Mitsubishi MU-2, Stearman PT-17[7] and Mitsubishi MU-300 Diamond 1A bizjet.[8]

 
By 1955, he was a regular on Jimmy Dean's Washington, D.C., television program. Dean, who valued punctuality among musicians in his band, the Texas Wildcats, fired Clark for habitual tardiness, telling him, "You're the most talented person I've ever fired." Clark married Barbara Joyce Rupard on August 31, 1957.[9] In 1960, Clark went out to Las Vegas, where he worked as a guitarist in a band led by former West Coast Western Swing bandleader-comedian Hank Penny. During the very early 1960s, he was also prominent in the backing band for Wanda Jackson—known as the Party Timers—during the latter part of her rockabilly period.[10]

When Dean was tapped to host The Tonight Show in the early 1960s, he asked Clark to appear, introducing him to a national audience for the first time. Subsequently, Clark appeared on The Beverly Hillbillies as a recurring character (actually two: he played businessman Roy Halsey and Roy's mother, Myrtle). Once, in an episode of the Sunday evening Jackie Gleason Show dedicated to country music, Clark played a blistering rendition of "Down Home". Later, he appeared in an episode of The Odd Couple, where he played "Malagueña".[11]


In 1963, Clark signed to Capitol Records and had three top ten hits. He switched to Dot Records and again scored hits. He later recorded for ABC Records, which had acquired Dot, and MCA Records, which absorbed the ABC label.[citation needed]

In the mid '60s, he was a co-host (along with Molly Bee and Rusty Draper) of a weekday daytime country variety series for NBC entitled "Swingin' Country", which was cancelled after two seasons. In 1969, Clark and Buck Owens were the hosts of Hee Haw. The show was the longest syndicated television show from 1969 to 1997 During its tenure, Clark was a member of the Million Dollar Band and participated in a host of comedy sketches. In 1983, Clark opened the Roy Clark Celebrity Theatre in Branson, Missouri, becoming the first country music star to have his own venue there, thus beginning a trend which led to Branson becoming a center of live music performance, as it is today. Many of the celebrities who play in Branson first performed at the Roy Clark Celebrity Theatre.
Clark frequently played in Branson during the 1980s and 1990s. He sold the venue (now owned by the Hughes Brothers and renamed the Hughes American Family Theatre) and went back to a fairly light touring schedule, which usually included a performance with Ramona Jones and the Jones Family Band at their annual tribute to Clark's old Hee Haw co-star Grandpa Jones in Mountain View, Arkansas.

[Image: 220px-Roy_Clark_onstage.png]
Roy Clark performing onstage in New York, late 1980s or early 1990s

In addition to his musical skill, Clark often displayed his talents as a comedian and actor. During his years on Hee Haw, Clark entertained with numerous comedy sketches, including a recurring feature where he played the reservation desk clerk of the "Empty Arms Hotel". Clark released several albums of his comedic performances, to varying critical acclaim and commercial success.[citation needed]


Clark married his wife Barbara in 1957 and they had 4 children together.
For many years Clark has made his home in Tulsa, Oklahoma. Roy Clark Elementary School in Tulsa's Union School District was named in his honor in 1978. Fellow Oklahoma resident Mickey Mantle arranged for Clark to sing "Yesterday When I Was Young" at his funeral (which Clark did in 1995).[14]

Clark died at his home in Tulsa due to complications of pneumonia, on November 15, 2018, aged 85.[15]

 https://en.wikipedia.org/wiki/Roy_Clark

The Mstislav Rostropovich of the banjo. There might be an interesting duet in Heaven tonight.
The ideal subject of totalitarian rule is not the convinced Nazi or the dedicated Communist  but instead the people for whom the distinction between fact and fiction, true and false, no longer exists -- Hannah Arendt.


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Screenwriter of some renowned movies.  

William Goldman (August 12, 1931 – November 15, 2018)[1][2] was an American novelist, playwright, and screenwriter. He came to prominence in the 1950s as a novelist, before turning to writing for film. He won two Academy Awards for his screenplays, first for the western Butch Cassidy and the Sundance Kid (1969) and again for All the President's Men (1976), about journalists Carl Bernstein and Bob Woodward, who broke the Watergate scandal of President Richard Nixon for the Washington Post. Both films starred Robert Redford.
His other notable works include his thriller novel Marathon Man and comedy-fantasy novel The Princess Bride, both of which Goldman adapted for film.

Author Sean Egan has described Goldman as "one of the late twentieth century’s most popular storytellers."[3]

 
According to his memoir, Adventures in the Screen Trade (1983), Goldman began writing when he took a creative-writing course in college. His grades in the class were "horrible".[8] An editor of Oberlin's literary magazine, he would submit short stories to the magazine anonymously; he recalls that the other editors, upon reading his submissions, remarked "We can't possibly publish this shit."[8] He did not originally intend to become a screenwriter. His main interests were poetry, short stories, and novels. In 1956 he completed an MA thesis at Columbia University on the comedy of manners in America.[9]
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His brother, [url=https://en.wikipedia.org/wiki/James_Goldman]James Goldman
, who died in 1998, was a playwright and screenwriter. They shared an apartment in New York with their friend John Kander (also Oberlin and Columbia MA) and helped out Kander, a composer, by writing the libretto for his dissertation. All three later won separate Academy Awards (Kander was the composer of Cabaret, Chicago, and a dozen other famous musicals).[8]
On 25 June 1956 Goldman started writing what became his first novel, The Temple of Gold. It was written in less than three weeks.[10] He sent the novel to an agent, Joe McCrindle, who agreed to represent Goldman; McCrindle submitted the novel to Knopf, who agreed to publish once Goldman doubled the novel in length. It sold well enough in paperback to launch Goldman on his career.[11]

After a 50-week break, Goldman wrote his second novel, Your Turn to Curtsy, My Turn to Bow (1958), in a little over a week. It was followed by Soldier in the Rain (1960), based on Goldman's time in the military; it sold well in paperback and was turned into a film (Goldman had no involvement in the screenplay).

Goldman began writing a long novel, which became Boys and Girls Together. He found during writing that he suffered writer's block. He and his brother received a grant to accompany a production of the musical Tenderloin (1960), on which they did some rewriting. Goldman and his brother then collaborated on an original play, Blood, Sweat and Stanley Poole (1961), and a musical (written with John Kander), A Family Affair (1962). Both had only short runs.

His writer's block on Boys and Girls Together continued, but Goldman then had an idea for another novel, No Way to Treat a Lady (1964). He wrote it in two weeks, and it was published under a pseudonym, Harry Longbaugh (a variant spelling of the Sundance Kid's real name). It was later made into a movie. Goldman then finished Boys and Girls Together, which became a best seller.

Butch Cassidy and the Sundance Kid


Goldman returned to novels, writing The Thing of It Is... (1967). He went to teach at Princeton, and wanted to write something but could not come up with an idea for a novel. So he decided to write his first original screenplay, Butch Cassidy and the Sundance Kid, which he had been researching for eight years. He sold it for $400,000, then the highest price ever paid for an original screenplay.[8] The resulting movie was a massive critical and commercial success and earned Goldman an Oscar for Best Original Screenplay.

The money enabled Goldman to take some time off and research a non-fiction book on Broadway, The Season: A Candid Look at Broadway (1969).[13]

He adapted a book, In the Spring the War Ended, into a screenplay but it was not filmed. Neither were scripts he did of The Thing of It Is and Papillon. He returned to novels with Father's Day (1971), a sequel to The Thing of It Is... He also wrote the screenplay for The Hot Rock (1972).

The Princess Bride

Goldman's next novel was The Princess Bride (1973) which became perhaps his most beloved work. Goldman also wrote a screenplay but it took many years before a film was made.

In 1973, Goldman contracted a rare strain of pneumonia which resulted in his being hospitalized and affected his health for months. This inspired him into a burst of creativity, including several novels and screenplays.[14]

He says his novel writing moved in a more commercial direction following the death of his editor Hiram Haydn in late 1973.[15] This started with a children's book, Wigger (1974), but then he wrote a thriller, Marathon Man (1974), which he sold to Delacorte as part of a three book deal worth $2 million. He sold movie rights to Marathon Man for $450,000.[16]

His second book for Delacorte was Magic (1976), a thriller, which sold to Joe Levine for $1 million. He did screenplays for the films of Marathon Man (1976) and Magic (1978).

He also wrote screenplays for The Stepford Wives (1975), The Great Waldo Pepper (1975), All the President's Men (1976) and A Bridge Too Far (1977). He wrote a promotional book Story of A Bridge Too Far (1977). He signed a three-film contract with Joe Levine worth $1.5 million.[16]

All the President's Men

Goldman wrote the famous line "Follow the money" for the screenplay of All the President's Men; while the line is often attributed to Deep Throat, it is not found in Bob Woodward's notes nor in Woodward and Carl Bernstein's book or articles.[17] However, the book does have the far less-quotable line from Woodward to Senator Sam Ervin, who was about to begin his own investigation: "The key was the secret campaign cash, and it should all be traced..."[18]

Goldman was unhappy with the movie; The Guardian says that he changes the subject when asked about the movie, but suggests that his displeasure may be because he was pressured to add a romantic interest to the film.[8] In his memoir, Goldman says of the film that if he could live his life over, he would have written the same screenplays, "Only I wouldn't have come near All the President's Men."[19] He said that he has never written as many versions of a screenplay as he did for that movie.[19] Speaking of his choice to write the script, he said "Many movies that get made are not long on art and are long on commerce. This was a project that seemed it might be both. You don't get many and you can't turn them down."[10]

In Michael Feeney Callan's book Robert Redford: The Biography, Redford is reported as stating that Goldman did not actually write the screenplay for the movie,[20] a story that was excerpted in Vanity Fair.[21] Written By magazine conducted a thorough investigation of the screenplay's many drafts and concluded, "Goldman was the sole author of All The President's Men. Period."[19]

He wrote a novel about Hollywood, Tinsel (1979), which sold well. He had enjoyed working with Joseph E. Levine on Bridge and Magic and signed a three-picture deal with him; only two scripts resulted, The Sea Kings and Year of the Comet. A script about Tom Horn, Mr. Horn (1979), was filmed for TV.[22]

Goldman was the original screenwriter for the film version of Tom Wolfe's novel The Right Stuff; director Philip Kaufman wrote his own screenplay without using Goldman's material, because Kaufman wanted to include Chuck Yeager as a character; Goldman did not.[13]

He wrote a number of other unfilmed screenplays around this time, including The Ski Bum; a musical adaptation of Grand Hotel; and Rescue, the story of the rescue of Electronic Data Systems employees during the Iranian Revolution.

More at Wikipedia.
The ideal subject of totalitarian rule is not the convinced Nazi or the dedicated Communist  but instead the people for whom the distinction between fact and fiction, true and false, no longer exists -- Hannah Arendt.


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RIP Malcolm Young Angus will have 2 carry on without you Sad
Heart  Bernie/Tulsi 2020    Heart
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Major figure in the Chinese atom bomb

Cheng Kaijia (simplified Chinese: 程开甲; traditional Chinese: 程開甲; pinyin: Chéng Kāijiǎ; 3 August 1918 – 17 November 2018) was a Chinese nuclear physicist and engineer. He was a pioneer and key figure in Chinese nuclear weapon development. He is known as one of the founding fathers of Two Bombs, One Satellite (Chinese: 两弹一星元勋).[1]



Cheng was born in Wujiang County, Jiangsu Province in 1918. He graduated from the Department of Physics of Zhejiang University in 1941. In 1946, he went to the United Kingdom to study at the University of Edinburgh, obtaining a PhD in 1948 under advisor Max Born.[2] He then became a researcher in the UK.

Cheng returned to China in 1950. He was an associate professor at Zhejiang University, he then went to Nanjing in 1952, where he became an associate professor in Nanjing University, and was later promoted to full professorship.

Cheng was a pioneer of Chinese nuclear technology and played an important role in the development of the first Chinese atomic bomb. He first calculated out the inner temperature and pressure for an atomic bomb blast in China. His calculation was an extremely heavy task and nearly manual, because during that time China did not have any computer or even calculator. He also solved the mechanism of the inner explosion, which could support the design of the bomb. He was the chief director for many nuclear weapon test fields/bases and their explosion processes.[3]

Cheng was elected to the Chinese Academy of Sciences. He was also a Standing Member of the Science and Technology Committee, Chinese National Nuclear Industry Corporation. He was former Vice-President of the Nuclear Weapons Research Institute, and the Deputy Chief Director of the Nuclear Weapons Research Institute, People's Republic of China. [4]

In 1999, he was awarded "Two Bombs and One Satellite Meritorious Award" for his contribution on atomic bomb and hydrogen bomb. In July 2017, Chairman Xi Jinping awarded Cheng the Order of August First, the highest military award of People's republic of China.[5]
He died on 17 November 2018, three months after his 100th birthday.[6]

More at Wikipedia
The ideal subject of totalitarian rule is not the convinced Nazi or the dedicated Communist  but instead the people for whom the distinction between fact and fiction, true and false, no longer exists -- Hannah Arendt.


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Great hockey player.

Daniel Charles "Snowshoes" Maloney (September 24, 1950 – November 20, 2018) was an ice hockey left winger in the National Hockey League (NHL) and NHL coach.

Drafted 14th overall by the Chicago Black Hawks in the 1970 NHL Entry Draft, Maloney played two seasons for the Blackhawks and later played for the Los Angeles Kings, Detroit Red Wings and Toronto Maple Leafs tallying 192 goals, 259 assists and 451 points in 737 games over the course of his playing career. Upon retiring as a player he was offered an assistant coach position with the Maple Leafs in 1982, and promoted to head coach in 1984. He coached two seasons with the Leafs, then coached three more years as head coach of the Winnipeg Jets.

Maloney is also known as having had one of the hardest right-hand punches in his day, and is considered by many hockey fans to have been the greatest fighter (along with the Flyers' Dave Schultz) in NHL history. The two finally squared off in a fight in a game in Los Angeles on January 4, 1975, with Maloney considered the winner. But Maloney was more than a fighter, as he tallied 27 goals in back to back seasons (1974–75 and 1975–76). Maloney was part of the trade that sent Marcel Dionne from Detroit to the Los Angeles Kings. Schultz was traded to the Kings a year later to replace Maloney as their enforcer. Maloney's death was announced on November 20, 2018; he was 68.[1]

 https://en.wikipedia.org/wiki/Dan_Maloney
The ideal subject of totalitarian rule is not the convinced Nazi or the dedicated Communist  but instead the people for whom the distinction between fact and fiction, true and false, no longer exists -- Hannah Arendt.


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I wonder if there is anything more to this death than we see:

Colonel general Igor Valentinovich Korobov (И́горь Валенти́нович Ко́робов, 3 August 1956 – 21 November 2018) was the Chief of the Main Directorate of the General Staff of the Armed Forces of the Russian Federation, Russia's military intelligence agency previously known as the GRU.

Igor Korobov was born in Vyazma, a town in Russia's Smolensk Oblast, on 3 August 1956.[1][2] In 1977, Korobov graduated with honors from the Stavropol Higher Military Aviation School for Pilots and Navigators, North Caucasus Military District, as an officer in the Soviet Air Forces.[3][2]

Korobov served as head of the Strategic Intelligence Directorate (Upravlenie strategicheskoi razvedky).[4][5] He was appointed by president Vladimir putin to head the military intelligence directorate (GU) following the sudden death of Igor Sergun in January 2016.[6][7]
On 29 December 2016, Korobov was one of the individuals sanctioned by the United States Department of the Treasury for "malicious cyber-enabled activities" threatening the national security of the United States.[1][8] Nevertheless, he officially visited the U.S., along with other Russia′s top security chiefs, at the end of January 2018.[9]

He died on 21 November 2018, "after a long and serious illness", according to sources in the Russian defence ministry cited by state-run agencies.[10][11][12]

 https://en.wikipedia.org/wiki/Igor_Korobov
The ideal subject of totalitarian rule is not the convinced Nazi or the dedicated Communist  but instead the people for whom the distinction between fact and fiction, true and false, no longer exists -- Hannah Arendt.


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One of the last survivors of the infamous Tulsa Race Riot of 1921

Olivia J. Hooker (February 12, 1915 – November 21, 2018) was the first African-American woman to have entered the U.S. Coast Guard, which she did in February 1945, and a psychologist and professor.[3][4] She became a SPAR (Semper Paratus Always Ready), a member of the United States Coast Guard Women's Reserve, during World War II.[5] She earned the rank of Yeoman, Second Class, during her service.[6] She served in the Coast Guard until her unit disbanded in mid-1946.[7] Later, she went on to become a psychologist and a professor at Fordham University.[8]

 
Hooker was born Olivia J. Hooker in Muskogee, Oklahoma on February 12, 1915.[9] Ku Klux Klan members ransacked her home during the Tulsa Massacre of Black Wall Street of 1921 while she hid under a table with her three siblings.[3][10] Hooker later was a founder of the Tulsa Race Riot Commission in hopes of demanding reparations for the riot's survivors.[6] In 2003, she was among survivors of the riot to file an unsuccessful federal lawsuit seeking reparations.[11]

After the riots, Hooker's family moved to Columbus, Ohio where she earned her Bachelor of Arts in 1937 from Ohio State University. While at OSU, she joined the Delta Sigma Theta sorority where she advocated for African-American women to be admitted to the navy.[12] 10 years later in 1947, she received her Masters from the Teachers College of Columbia University. In 1961, she received her PhD in psychology from the University of Rochester.[13]

 Hooker applied to the Women Accepted for Volunteer Emergency Service (WAVES) of the U.S. Navy, but was rejected due to her ethnicity.[13] She disputed the rejection due to a technicality and Hooker was accepted. However, she had already decided to join the Coast Guard.[14] She entered the U.S. Coast Guard in February 1945. On March 9, 1945, Hooker went to basic training for six weeks in Manhattan Beach, Brooklyn, New York where Coast Guard Women's Reserve (SPARS) had to attend class and pass exams. She was one of only five African-American females to first enlist in the SPAR program. After basic training, Hooker specialized in the yeoman rate and remained at boot camp for an additional nine weeks before heading to Boston.[14] Here, she performed administrative duties and earned the rank of Yeoman Second Class in the Coast Guard Women's Reserve.[11] In June 1946, the SPAR program was disbanded and Hooker earned the rank of petty officer 2nd class and a Good Conduct Award.[14]


Hooker retired at age 87.[6] She joined the Coast Guard Auxiliary at age 95[3] and served as a volunteer in Yonkers, New York until her death in 2018.[17]

On Monday, February 9, 2015, Kirsten Gillibrand spoke in Congress about Hooker to "pay tribute" to Hooker.[18]
In the same year, the Olivia Hooker Dining Facility on the Staten Island coast guard facility was named in her honor.[19][3] A training facility at the Coast Guard's headquarters in Washington, D.C. was also named after her that same year.[20] On May 20, 2015, President Barack Obama recognized the Coast Guard service and legacy of Olivia Hooker while in attendance at the 134th Commencement of the United States Coast Guard Academy.[21]

On November 11, 2018, Google honored her by telling her story as part of a Google Doodle for the Veterans Day holiday.

On November 21, 2018, Hooker died in White Plains, New York of natural causes at the age of 103.[22]

https://en.wikipedia.org/wiki/Olivia_Hooker
The ideal subject of totalitarian rule is not the convinced Nazi or the dedicated Communist  but instead the people for whom the distinction between fact and fiction, true and false, no longer exists -- Hannah Arendt.


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Director Bernardo Bertolucci



Bernardo Bertolucci (Italian: [berˈnardo bertoˈluttʃi]; 16 March 1941 – 26 November 2018) was an Italian director and screenwriter, whose films include The Conformist, Last Tango in Paris, 1900, The Last Emperor (for which he won the Academy Award for Best Director and the Academy Award for Best Adapted Screenplay), The Sheltering Sky, Little Buddha, Stealing Beauty and The Dreamers. In recognition of his work, he was presented with the inaugural Honorary Palme d'Or Award at the opening ceremony of the 2011 Cannes Film Festival.[2] From 1979 until his death in 2018, he was married to screenwriter Clare Peploe.[3]

More at Wikipedia.
The ideal subject of totalitarian rule is not the convinced Nazi or the dedicated Communist  but instead the people for whom the distinction between fact and fiction, true and false, no longer exists -- Hannah Arendt.


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[url=the creator of Spongebob Squarepants][/url]
the creator of Spongebob Squarepants

Stephen McDannell Hillenburg (August 21, 1961 – November 26, 2018) was an American animator, cartoonist, and marine biology teacher. He was the creator of the Nickelodeon animated television series SpongeBob SquarePants (1999–), which he also directed, produced, and wrote. It has gone on to become the fifth longest-running American animated series.

Born in Lawton, Oklahoma, and raised in Anaheim, California, Hillenburg became fascinated with the ocean as a child and developed an interest in art. He started his professional career in 1984, instructing marine biology, at the Orange County Marine Institute, where he wrote The Intertidal Zone, an informative comic book about tide-pool animals, which he used to educate his students. In 1989, two years after leaving teaching, Hillenburg enrolled at the California Institute of the Arts to pursue a career in animation. He was later offered a job on the Nickelodeon animated television series Rocko's Modern Life (1993–1996) after his success with short films The Green Beret and Wormholes (both 1992), which he made while studying animation.

................

After graduating from college, Hillenburg held various jobs in 1984, including as a park service attendant in Utah and an art director in San Francisco, before landing the job he wanted: teaching children.[8] He hoped to work in a national park on the coast,[12] and eventually found a job at the Orange County Marine Institute (now known as the Ocean Institute),[12] an organization in Dana Point, California, dedicated to educating the public about marine science and maritime history.[19] Hillenburg was a marine-biology teacher there for three years:[4][5][20] "We taught tide-pool ecology, nautical history, diversity and adaptation. Working there, I saw how enamored kids are with undersea life, especially with tide-pool creatures."[10][21] He stayed at the Dana Point Marina[14] and was also a staff artist.[8][16][22] Although "t was a great experience" for him,[12] during this period, Hillenburg realized he was more interested in art than his chosen profession.[20]



While working there one of the educational directors asked him if he would be interested in creating an educational comic book about the animal life of tidal pools.[8][12][23] He created a comic called [i]The Intertidal Zone, which he used to teach his students.[23] It featured anthropomorphic forms of sea life, many of which would evolve into SpongeBob SquarePants characters[24]—including "Bob the Sponge", the comic's co-host, who resembled an actual sea sponge, as opposed to his later SpongeBob SquarePants character, who resembles a kitchen sponge.[25] He tried to get the comic published, but the publishers he approached turned him down.[8][12]
[/i]
At one point during his tenure with the Orange County Marine Institute, Hillenburg started going to animation festivals such as the International Tournée of Animation and Spike and Mike's Festival of Animation where films made by California Institute of the Arts (colloquially called CalArts) students were shown.[8][13] He determined that he wanted to pursue a career in that field.[8][13] Hillenburg had planned to take a master's degree in art, but instead of "going back to school for painting",[8] he left his job in 1987 to become an animator.[24][25]



In 1989,[12] Hillenburg enrolled in the Experimental Animation Program at CalArts.[5][24][25] About this decision, he said: "Changing careers like that is scary, but the irony is that animation is a pretty healthy career right now and science education is more of a struggle."[26] He studied under Jules Engel,[27][28] the founding director of the program,[28][29] whom he considers his "Art Dad" and mentor.[28][30][31] Engel accepted him into the program impressed by [i]The Intertidal Zone.[8][25] Hillenburg said, "[Engel] also was a painter, so I think he saw my paintings and could easily say, 'Oh, this guy could fit in to this program.' I don't have any [prior experience in] animation really."[8] Hillenburg graduated in 1992,[5][10] earning a Master of Fine Arts in experimental animation.[5] [/i]



Hillenburg made his first animated works, short films The Green Beret and Wormholes (both 1992[32]), while at CalArts.[4][5][6][26] The Green Beret was about a physically challenged Girl Scout with enormous fists who toppled houses and destroyed neighborhoods while trying to sell Girl Scout cookies.[4][5][6] Wormholes was his seven-minute thesis film,[25][33] about the theory of relativity.[4][5][33] He described it as "a poetic animated film based on relativistic phenomena", in his grant proposal in 1991 to the Princess Grace Foundation,[34] which assists emerging artists in American theater, dance, and film.[35] The foundation agreed to fund the effort, providing Hillenburg with a Graduate Film Scholarship.[34][36] "It meant a lot. They funded one of the projects I'm most proud of, even with SpongeBob. It provided me the opportunity just to make a film that was personal, and what I would call independent, and free of some of the commercial needs," he said in 2003.[34] Wormholes was shown at several international animation festivals,[26][34] including the Annecy International Animated Film Festival, the Hiroshima International Animation Festival, the Los Angeles International Animation Celebration, the International Short Film Festival Oberhausen,[37] and the Ottawa International Animation Festival,[38] where it won Best Concept.[39] LA Weekly labeled the film "road-trippy" and "Zap-comical",[40] while Manohla Dargis of The New York Times opined that it was inventive.[29]

Hillenburg explains that "anything goes" in experimental animation. Although this allowed him to explore alternatives to conventional methods of filmmaking, he still ventured to employ "an industry style"; he prefers to traditionally animate his films (where each frame is drawn by hand) rather than, for instance, make cartoons "out of sand by filming piles of sand changing".[8] Hillenburg had at least one other short film that he made as an animation student but its title is unspecified.[13][22]

Spongebob Squarepants

Some evidence shows that the idea for SpongeBob SquarePants dates back to 1986, during Hillenburg's time at the Orange County Marine Institute.[45] He indicated that children's television series such as The New Adventures of Mighty Mouse (1987–1988) and Pee-wee's Playhouse (1986–1991) "sparked something in [him]." He continued, "I don't know if this is true for everybody else, but it always seems like, for me, I'll start thinking about something and it takes about ten years to actually have it happen, or have someone else believe in it... It took me a few years to get [SpongeBob SquarePants] together."[22]

During the production of Rocko's Modern Life, Martin Olson, one of the writers, read The Intertidal Zone and encouraged Hillenburg to create a television series with a similar concept. At that point, he had not even considered creating his own series:[8] "After watching Joe [Murray] tear his hair out a lot, dealing with all the problems that came up, I thought I would never want to produce a show of my own."[42] However, he realized that if he ever did, this would be the best approach:[8][25][46] "For all those years it seemed like I was doing these two totally separate things. I wondered what it all meant. I didn't see a synthesis. It was great when [my two interests] all came together in [a show]. I felt relieved that I hadn't wasted a lot of time doing something that I then abandoned to do something else. It has been pretty rewarding," Hillenburg said in 2002.[5] He claimed that he finally decided to create a series as he was driving to the beach on the Santa Monica Freeway one day.[42]



As he was developing the show's concept, Hillenburg remembered his teaching experience at the Orange County Marine Institute and how mesmerized children were by tide-pool animals, including crabs, octopuses, starfish, and sponges.[4][5][42] It came to him that the series should take place underwater, with a focus on those creatures: "I wanted to create a small town underwater where the characters were more like us than like fish. They have fire. They take walks. They drive. They have pets and holidays."[42] It suited what Hillenburg liked for a show, "something that was fantastic but believable."[42] He also wanted his series to stand out from most popular cartoons of the time exemplified by buddy comedies such as The Ren & Stimpy Show (1991–1995). As a result, he decided to focus on one main character: the weirdest sea creature that he could think of. This led him to the sponge:[8] "I wanted to do a show about a character that was an innocent, and so I focused on a sea sponge because it's a funny animal, a strange one."[43] In 1994,[16] Hillenburg began to further develop some characters from The Intertidal Zone,[8][16] including Bob the Sponge.[8]

Bob the Sponge is the comic's "announcer".[8] He resembles an actual sea sponge, and at first Hillenburg continued this design[8][22][25][47] because it "was the correct thing to do biologically as a marine-science teacher."[42] In determining the new character's personality, he drew inspiration from innocent, childlike figures that he enjoyed, such as Charlie Chaplin, Laurel and Hardy, Jerry Lewis, and Pee-wee Herman.[45][8][22][48] He then considered modeling the character after a kitchen sponge, and realized that this idea would match the character's square personality perfectly:[8][22][25] "t looked so funny. I think as far as cartoon language goes he was easier to recognize. He seemed to fit the character type I was looking for—a somewhat nerdy, squeaky clean oddball."[42][49] To voice the central character of the series, Hillenburg turned to Tom Kenny, whose career in animation had begun with his on [i]Rocko's Modern Life. Elements of Kenny's own personality were employed in further developing the character.[50][51][/i]



In 1997, while pitching the cartoon to executives at Nickelodeon, Hillenburg donned a Hawaiian shirt, brought along an "underwater terrarium with models of the characters", and played Hawaiian music to set the theme. Nickelodeon executive Eric Coleman described the setup as "pretty amazing".[25] Although Derek Drymon, creative director of [i]SpongeBob SquarePants, described the pitch as stressful, he said it went "very well".[25] Nickelodeon approved and gave Hillenburg money to produce the show.[52] [/i]

(from Wikipedia)
The ideal subject of totalitarian rule is not the convinced Nazi or the dedicated Communist  but instead the people for whom the distinction between fact and fiction, true and false, no longer exists -- Hannah Arendt.


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Updated at 7:05 a.m. ET (NPR)


Quote:George Herbert Walker Bush died Friday at the age of 94.

George W. Bush released a statement, saying for himself and his siblings, "Jeb, Neil, Marvin, Doro, and I are saddened to announce that after 94 remarkable years, our dear Dad has died."

"George H.W. Bush was a man of the highest character and the best dad a son or daughter could ask for," he said. "The entire Bush family is deeply grateful for 41's life and love, for the compassion of those who have cared and prayed for Dad, and for the condolences of our friends and fellow citizens."


There were fears that after his wife, Barbara, died in April, Bush might die, too. He was admitted to the hospital with a blood infection on April 23, one day after the funeral for the former first lady, and remained there for 13 days. He also spent time in the hospital in May and June, but lived to be the first former president to reach the age of 94.

Bush was the patriarch of a political dynasty that included one son who served as president, another as a governor and a grandson who currently holds statewide office in Texas.


more at National Public Radio
The ideal subject of totalitarian rule is not the convinced Nazi or the dedicated Communist  but instead the people for whom the distinction between fact and fiction, true and false, no longer exists -- Hannah Arendt.


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Gorbachev, 87, was speaking after Bush, the 41st president of the United States, died on Friday at the age of 94.

MOSCOW (Reuters) - Mikhail Gorbachev, the last Soviet leader, on Saturday hailed the late George H.W. Bush’s role in helping end the Cold War and an arms race between the United States and the Soviet Union.

Bush held talks with Gorbachev before the Soviet Union collapsed in 1991 and signed a landmark arm control agreement with him that significantly cut both countries’ nuclear arsenals.

“Many of my memories are linked to him. We happened to work together in years of great changes. It was a dramatic time demanding huge responsibility from everyone. The result was the end of the Cold War and the nuclear arms race,” Russia’s Interfax news agency cited Gorbachev as saying.

“I pay tribute to George Bush’s contribution toward this historic achievement. He was a genuine partner.”

https://www.reuters.com/article/us-peopl...ce=twitter
The ideal subject of totalitarian rule is not the convinced Nazi or the dedicated Communist  but instead the people for whom the distinction between fact and fiction, true and false, no longer exists -- Hannah Arendt.


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Comedic actor Ken Berry.


Kenneth Ronald Berry (November 3, 1933 – December 1, 2018) was an American actor, dancer and singer. Berry starred on the television series F Troop, The Andy Griffith Show, Mayberry R.F.D. and Mama's Family. He also appeared on Broadway in The Billy Barnes Revue, headlined as George M. Cohan in the musical George M! and provided comic relief for the medical drama Dr. Kildare, with Richard Chamberlain in the 1960s.

(He is best known for television, so I extract this segment from Wikipedia).


Arthur Godfrey's Talent Scouts was a prime time television talent contest, that ran from 1946 to 1958. The winner got a week's work on Godfrey's morning television program, which was simulcast on radio. Berry won in 1957, performed his week on the show, and was then asked back for six more weeks. He traveled with Godfrey and performed on remote broadcasts in an Omaha stock yard, in Seattle at a lumber camp, at the Boeing aircraft plant, and at the San Diego Zoo. Berry came up with a new routine for every show, which aired daily.[1]

[Image: 225px-Carol_Burnett_Once_Upon_a_Mattress_1972.JPG]
Ken Berry and Carol Burnett in Once Upon a Mattress in 1972

The Billy Barnes Review was popular with Hollywood, and one evening Carol Burnett was in Los Angeles and saw Berry in the show. She was appearing on The Garry Moore Show in New York and convinced the producers to sign Berry as a guest star. Burnett became a key ally for Berry, using him on her own special, which eventually became CBS's The Carol Burnett Show. Ken was one of Burnett's most frequent guest stars along with Jim Nabors and Steve Lawrence. In 1972, Ken and Carol appeared together in the 1972 color remake of Burnett's Broadway hit, Once Upon A Mattress for CBS.[2]

A notable dramatic performance by Berry was 1982's TV movie Eunice, which was based on The Carol Burnett Show sketch, The Family. The Family was somewhat of a pilot for Mama's Family. Berry played Phillip, Eunice's brother, in the special; however he went on to play Vinton, a different brother, on Mama's Family.

His collaboration with Carol Burnett continued with the 1993 Long Beach theatrical production of From the Top.[2]

The Billy Barnes Review also led to another important connection in his career when he was spotted by Lucille Ball. Ball quickly asked him to join her new talent development program at Desilu, similar to the "talent pools" – known as talent "programs" – that the other studios had. He was under contract with Desilu for six months, performing for both Ball and Barnes at the same time. The reviews for The Billy Barnes Review were largely positive, and additional investors contributed the extra money needed to move the show from the York Playhouse to Broadway,[3] which meant he had to take leave from Desilu.

After returning from New York in 1960, Berry was brought back to Desilu to play Woody, a bell hop, in ten episodes of CBS's The Ann Sothern Show which was set in a New York hotel called the Bartley House. The character Woody served as a "Greek chorus of one" on the series.

In 1968, Ball asked Berry to guest star on The Lucy Show, where he played a bank client needing a loan to start a dance studio. He performed a tribute to the Fred Astaire number "Steppin' Out with My Baby" and a duet with Ball for a rendition of "Lucy's Back in Town".

After numerous smaller roles, Berry was cast as one of three comic relief characters on Dr. Kildare, from 1961 to 1966. A regular on the series, Berry played Dr. Kapish. He also had a role on The Dick Van Dyke Show as a dance instructor several times.
F-Troop and Mayberry R.F.D.

[Image: 225px-Andy_Griffith_Ken_Berry_Mayberry_RFD_1968.JPG]
Ken Berry, Andy Griffith and Buddy Foster in Mayberry R.F.D., 1968

Berry continued doing guest roles, but while performing a small part on the short-lived George Burns-Connie Stevens sitcom Wendy & Me, both Burns and Stevens recommended him for the pilot of F-Troop for ABC, a western spoof where he played the accident-prone Captain Parmenter—his first weekly role starring in a sitcom.

Berry's co-stars were Forrest Tucker and Larry Storch. Berry called his time on F-Troop "two years of recess"[1] as the entire cast spent time between takes trying to make each other laugh. His grace and agility allowed him to perform choreographed pratfalls over hitching posts, sabers, and trash cans.

In 1967, during the second year of F-Troop, Dick Linke – who was Berry's manager, and also managed Andy Griffith and Jim Nabors – pitched an F-Troop stage show to Bill Harrah, founder of Harrah's Entertainment, which included a casino and hotel in Reno, Nevada. Harrah went for it, and Berry, Larry Storch, Forrest Tucker, and James Hampton put together a show, hiring writers and a choreographer to assist. While performing the Reno show they received word that F-Troop had been canceled due to a financial dispute between the production company and the studio.

The next year Berry was cast in the featured role of Sam Jones, a widowed farmer, on the last few episodes of The Andy Griffith Show. He took the lead role on the spin-off Mayberry R.F.D.. In September 1968, Berry led the cast of Mayberry R.F.D., as Griffith's character receded. Most of the regular characters stayed with the show. Andy and wife Helen left after a few episodes into season two. Series writers used Berry's "trouper" talents in stories about church revues and talent contests. On the 1970 Mayberry R.F.D. episode "The Charity", he and co-star Paul Hartman performed a soft shoe routine. Berry sometimes ended a show on the porch at dusk, serenading others with such songs as "Carolina Moon". In spite of finishing 15th place for season three, Mayberry R.F.D. was canceled in 1971 in what was called "the rural purge", where shows set in a bucolic locale (The Beverly Hillbillies, Green Acres, and Petticoat Junction) were replaced with the more "hip" fare of Norman Lear (All In The Family) and The Mary Tyler Moore Show.
After Mayberry R.F.D., Berry starred in several made-for-TV movies, and his own summer replacement variety show on ABC called The Ken Berry 'Wow' Show in 1972, which ran for five episodes. This show was an launching pad for future stars Steve Martin, Cheryl Ladd and Teri Garr.

In 1973 Sherwood Schwartz wrote a Brady Bunch spin-off called Kelly's Kids, which featured Berry as the adoptive father of three diverse boys (black, white, and Asian). The pilot failed to interest ABC.

Over the next two decades Berry guest starred on many shows, including The Bob Newhart Show, The Julie Andrews Hour, several Mitzi Gaynor specials, The Sonny & Cher Comedy Hour, The Donny & Marie Show, Love Boat, Fantasy Island, CHiPs, and The Golden Girls.

Mama's Family

In 1983, Berry was cast as Vinton Harper in Mama's Family, a spin-off from The Carol Burnett Show with comic actors including Vicki Lawrence, Dorothy Lyman, Rue McClanahan, Betty White, and Beverly Archer during six seasons of the show. Mama's Family aired on NBC from 1983 to 1984 and in repeats until 1985. It was then picked up for first-run syndication from 1986 to 1990. The run totaled 130 episodes.

During and after Mama's Family, Berry toured the U.S. in various theatrical performances, including multiple performances of Sugar with co-stars such as Donald O'Connor, Mickey Rooney, Soupy Sales, and Bobby Morse, The Music Man with Susan Watson (Patrick Swayze and Lisa Niemi were in the chorus), I Do! I Do! with Loretta Swit, and Gene Kelly's A Salute to Broadway with Howard Keel and Mimi Hines. Kelly, who was Berry's idol, was set to direct the production, but fell ill.[1]
The ideal subject of totalitarian rule is not the convinced Nazi or the dedicated Communist  but instead the people for whom the distinction between fact and fiction, true and false, no longer exists -- Hannah Arendt.


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And if this doesn't jerk a tear from you, you probably lack a soul:


Sully, the service dog of former President George H.W. Bush, spent Sunday night lying before Bush's flag-draped casket in Houston.
Jim McGrath, spokesman for the Bush family, tweeted out a photo on Sunday night, captioning it "mission complete."
Jeb Bush retweeted the image, adding "Sully has the watch."

CNN reported that Sully would travel with the casket to Washington, D.C., where several days of remembrance ceremonies are being held. Sully, a 2-year-old yellow Labrador retriever, is named after the pilot Chesley "Sully" Sullenberger III, who on Jan. 15, 2009, landed a passenger plane in the Hudson River after hitting a flock of geese. He was portrayed by Tom Hanks in a movie about the incident.
Sully became the late president's service dog in June, a couple of months after former first lady Barbara Bush died.
The yellow Lab was trained by America's VetDogs, which places service dogs and guide dogs with veterans, active-duty service members and first responders.

[Image: ap_18337515313561_wide-9b20374e694cb7ab8...00-c85.jpg]


Bush had a form of Parkinson's disease that caused slow movements and difficulty balancing, among other symptoms. He frequently used a wheelchair toward the end of his life, and Sully provided assistance with daily life.
"Sully could open doors, pick up items and summon help," The Associated Press reported.
According to Sully's Instagram account, he also spent a lot of time frolicking on the beach and playing fetch.

After Bush's funeral ceremonies are over, Sully will join the facility dog program at the Walter Reed National Military Medical Center in Bethesda, Md., reported TV station KTRK in Houston. There, he will help wounded veterans and service members during their recovery.
George H.W. Bush and Barbara Bush were noted dog lovers.

During their time in the White House, the presidential pets were Millie, a springer spaniel, and later one of Millie's puppies, named Ranger.
(Spot, the White House pet of George W. Bush, was also a puppy of Millie's.)
Millie was famously referenced during the 1992 presidential campaign, when Bush said, of Bill Clinton and Al Gore, "My dog Millie knows more about foreign affairs than these two bozos."

https://www.npr.org/2018/12/03/672852640...his-casket
The ideal subject of totalitarian rule is not the convinced Nazi or the dedicated Communist  but instead the people for whom the distinction between fact and fiction, true and false, no longer exists -- Hannah Arendt.


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The last living person to play at a major-league level before the Pearl Harbor attack has died at the age of 100.

Frederick John Caligiuri (October 22, 1918 — November 30, 2018) was a pitcher in Major League Baseball who played during 1941 and 1942 for the Philadelphia Athletics. Listed at 6' 0", 190 lb., he batted and threw right-handed.

A native of West Hickory, Pennsylvania, Caligiuri was one of many major leaguers who saw his baseball career interrupted by a stint in the United States Army during World War II. A late-season 1941 call-up from Wilmington of the Interstate League, he entered the baseball record books while starting the last game of the season against the Boston Red Sox at Shibe Park. It was the game in which Ted Williams finished the season with a .406. batting average, the most recent .400 average in the majors. Williams went 2-for-3 against Caligiuri, who did not yield a run until the ninth inning, and finished with a complete game, six-hit, 7–1 victory over Lefty Grove and the Red Sox. This game also marked the last start for Grove, who retired before the 1942 season.

Over parts of two seasons, Caligiuri posted a 2-5 record with a 4.52 ERA in 18 appearances, including seven starts, giving up 49 runs (nine unearned) on 90 hits and 32 walks while striking out 27 in 79 ⅔ innings of work. From 1943 to 1945 Caligiuri served in the military during World War II.[1] He was the last surviving retired MLB player who made his debut prior to the Pearl Harbor attack/US involvement in WWII.

Caligiuri died in Charlotte, North Carolina on November 30, 2018.[2] Caligiuri was recognized as the oldest living major league ballplayer until his death, with Tom Jordan succeeding him. His wife of 73 years, Anne, died on October 11, 2014.[3] [4]


https://en.wikipedia.org/wiki/Fred_Caligiuri

From Wikipedia:  only 21 living major-league baseball players remain from the GI Generation. The last living member of the GI generation in the Major League Baseball Hall of Fame (Red Schoendienst) died this year.


[/url]
The ideal subject of totalitarian rule is not the convinced Nazi or the dedicated Communist  but instead the people for whom the distinction between fact and fiction, true and false, no longer exists -- Hannah Arendt.


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Lyudmila Mikhaylovna Alexeyeva (Russian: Людми́ла Миха́йловна Алексе́ева, IPA: [lʲʊˈdmʲilə ɐlʲɪˈksʲeɪvə], 20 July 1927 – 8 December 2018[1]) was a Russian historian, leading human rights activist, founding member of the Moscow Helsinki Watch Group,[2] and one of the last Soviet dissidents still active in modern Russia.[3]


In April 1968, Alexeyeva was expelled from the Communist Party and fired from her job at the publishing house. Nonetheless, she continued her activities in defense of human rights. In 1968–1972 she worked clandestinely as a typist for the first underground bulletin The Chronicle of Current Events devoted to human rights violations in the USSR.[4]

In February 1977 Alexeyeva was forced to emigrate from the USSR. She and her family settled in the United States, where she continued her human rights activities as a foreign representative of the Moscow Helsinki Group. She became a US citizen in 1982.[5]. She regularly wrote on the Soviet dissident movement for both English and Russian language publications in the US and elsewhere, and in 1985 she published the first comprehensive monograph on the history of the movement, Soviet Dissent (Wesleyan University Press).[6] In addition, after moving to the United States, Alexeyeva took up freelance radio journalism for Radio Liberty and the Russian language section of the Voice of America. In 1990 she published The Thaw Generation, an autobiography that described the formation of the Soviet dissident movement and was co-written with Paul Goldberg.[7]



In 1989 she again joined the Moscow Helsinki Group that was restarted after its dissolution in 1981. In 1993, after the dissolution of the Soviet Union, she returned to Russia, and she became a Chairperson of the Moscow Helsinki Group in 1996. In 2000, Alexeyeva joined a commission set up to advise President Vladimir Putin on human rights issues, a move that triggered criticism from some other rights activists.[3]

Alexeyeva has been critical of the Kremlin’s human rights record and accused the government of numerous human rights violations including the regular prohibitions of non-violent meetings and demonstrations and encouragement of extremists with its nationalistic policies, such as the mass deportations of Georgians in 2006 and police raids against foreigners working in street markets.[8] She has also criticized the law enforcers’ conduct in Ingushetia and has warned that growing violence in the republic may spread to the whole Russian Federation.[9] In 2006, she was accused by the Russian authorities of involvement with British intelligence and received threats from nationalist groups.[8][10]


Since August 31, 2009, Alexeyeva has been an active participant in Strategy-31 – the regular protest rallies of citizens on Moscow’s Triumphalnaya Square in defense of the 31st Article (On the Freedom of Assembly) of the Russian Constitution. Since October 31, 2009, she has been one of the regular organizers of these rallies. On December 31, 2009, during one of these attempted protests, Alexeyeva was detained by the riot police (OMON) and taken with scores of others to a police station. This event provoked strong reaction in Russia and abroad. Jerzy Buzek, the President of the European Parliament, was “deeply disappointed and shocked” at the treatment of Alexeyeva and others by the police.[11] The National Security Council of the United States expressed “dismay” at the detentions.[12] The New York Times published a front-page article about the protest rally (“Tested by Many Foes, Passion of a Russian Dissident Endures”).[13]

On March 30, 2010, Lyudmila was assaulted on live television in the Park Kultury metro station by a man as she was paying respect to the victims of the 2010 Moscow Metro Bombings.[14][15] At the Lake Seliger youth camp,[16][17][18][19][20] the Nashi youth movement branded her "a Nazi" and one of Russia's worst enemies.

https://en.wikipedia.org/wiki/Lyudmila_Alexeyeva
The ideal subject of totalitarian rule is not the convinced Nazi or the dedicated Communist  but instead the people for whom the distinction between fact and fiction, true and false, no longer exists -- Hannah Arendt.


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