Generational Theory Forum: The Fourth Turning Forum: A message board discussing generations and the Strauss Howe generational theory

(09-06-2022, 03:32 PM)pbrower2a Wrote: [ -> ]

(09-06-2022, 10:33 AM)beechnut79 Wrote: [ -> ]Do any of you want to guess what Gorbachev had in common with George Burns?

My guess is that it has something to do with Ronald Reagan.

No. Both were long term widowers who never remarried.

(09-06-2022, 10:33 AM)beechnut79 Wrote: [ -> ]Do any of you want to guess what Gorbachev had in common with George Burns?

Both were in pizza commercials in the 90s.

Queen Elizabeth II, who seemed to be immortal.

Let us lower all flags in her honor.

Bernard Shaw (May 22, 1940 – September 7, 2022) was an American journalist and lead news anchor for CNN from 1980 until his retirement in March 2001. Prior to his time at CNN, he was a reporter and anchor for WNUS, Westinghouse Broadcasting, CBS News, and ABC News.



https://en.wikipedia.org/wiki/Bernard_Shaw_(journalist)

Anne Longworth Garrels (July 2, 1951 – September 7, 2022) was an American broadcast journalist who worked as a foreign correspondent for National Public Radio, as well as ABC and NBC.

Anne Longworth Garrels was born in Springfield, Massachusetts, on July 2, 1951, the daughter of Valerie (Smith) and John C. Garrels, Jr.[1] She spent part of her childhood in London, where her father worked as an executive for Monsanto.[1] She was educated at St Catherine's School, Bramley.[1]

Garrels returned to the United States and enrolled at Middlebury College, but later transferred to Harvard University's Radcliffe College, where she studied Russian and graduated in 1972.
Garrels retired from NPR in 2010. In 2016, she published her second book, Putin Country: A Journey into the Real Russia with Farrar, Straus, and Giroux.[1]

When the 2022 Russian invasion of Ukraine erupted, Garrels, then in her 70s, and in ill health, attempted to get assigned to cover that war. Unable to do so, she started a non-profit organization to raise money to support Ukraine and victims of the war, particularly medical supplies, reportedly raising US$1,000,000 for the cause.

In 1986, Garrels married J. Vinton Lawrence, one of two CIA paramilitary officers from the Special Activities Division stationed in Laos in the early 1960s, who worked with Hmong tribesmen and the CIA-owned airline Air America. They were married until Lawrence's death from leukemia in 2016.

Garrels lived in Norfolk, Connecticut, where she died from lung cancer on September 7, 2022, aged 71

The Queen was weak this year, but her death still was a bit shocking since it came so suddenly. Timely though, as some of my astrologer friends have showed. For the first time in my life, since I was not aware of world affairs at age 2, I hear in my mind the words often spoken by people in history: the queen is dead, long live the king (or whichever gender applied).

One of the last surviving victims of the Hollywood blacklist


Marsha Hunt (born Marcia Virginia Hunt;[1] October 17, 1917 – September 7, 2022) was an American actress, model and activist, with a career spanning nearly 80 years. She was blacklisted by Hollywood film studio executives in the 1950s during McCarthyism.[2]


She appeared in many films, including Born to the West (1937) with John Wayne, Pride and Prejudice (1940) with Greer Garson and Laurence Olivier, Kid Glove Killer (1942) with Van Heflin, Cry 'Havoc' (1943) with Margaret Sullavan and Joan Blondell, The Human Comedy (1943) with Mickey Rooney, Raw Deal (1948) with Claire Trevor, The Happy Time (1952) with Charles Boyer, and Dalton Trumbo's Johnny Got His Gun (1971).
In the midst of the blacklist era, she became active in the humanitarian cause of world hunger and in her later years aided homeless shelters, supported same-sex marriage, raised awareness of climate change, and promoted peace in Third World countries.[3]

Hunt's parents wanted her to pursue a college degree, but Hunt, unable to "locate a single college or university in the land where you could major in drama before your third year", found work modeling for the John Powers Agency and began taking stage acting classes at the Theodora Irvine Studio.[1][7] She was one of the highest-earning models by 1935.[8] In May 1935, she planned on studying stage acting at the Royal Academy of Dramatic Art in the United Kingdom.[9]
 











Although initially reluctant to pursue a film career, in June 1935, at age 17, Hunt signed a seven-year contract with Paramount Pictures.[6][10] Paramount discovered her when she was visiting her uncle in Los Angeles and the comedian Zeppo Marx (of the Marx Brothers fame) saw a picture of her in the newspaper.[11] She was then offered a screen test for The Virginia Judge.[2][12] At Paramount, Hunt mainly played ingenue parts.[6] Between 1935 and 1938, she made 12 pictures at Paramount, including a starring roles in Easy to Take (1936), Gentle Julia (1936), The Accusing Finger (1936), Murder Goes to College (1937), and two on "loan-out" to RKO and 20th Century Fox.[6] In 1937, she starred opposite John Wayne, a couple of years before his breakthrough in Hollywood, in the Western film Born to the West.[13]

The studio terminated Hunt's contract in 1938, and she spent a few years starring in B-films produced by poverty row studios such as Republic Pictures and Monogram Pictures.[6] She also headed to New York City for work in summer stock theatre shortly before winning a supporting role in MGM's These Glamour Girls (1939) opposite Lana Turner and Lew Ayres.[14] The role of Betty was said to have been written specially with Hunt in mind.[15] Other roles in major studio productions soon followed, including supporting roles as Mary Bennet in MGM's version of Pride and Prejudice (1940) with Laurence Olivier,[2] and as Martha Scott's surrogate child Hope Thompson in Cheers for Miss Bishop (1941).[6]

In 1941, Hunt signed a contract with MGM, where she remained for the next six years.[6] While filming Blossoms in the Dust, film director Mervyn LeRoy lauded Hunt for her heartfelt and genuine acting ability.[16] During this period she had starring roles in 21 films, including The Penalty (1941) opposite Lionel Barrymore, Panama Hattie (1942) opposite Ann Sothern and Red Skelton, the war drama Pilot No. 5 (1943) in which she was cast as the love interest of Franchot Tone, and The Valley of Decision (1945). In 1944 she polled seventh in a list by exhibitors of "Stars of Tomorrow".[17] She previously did a screen test to play Melanie Hamilton in Gone with the Wind (1939) and was told by David O. Selznick she would play the role, but to "keep it a secret for now." Three days later, it was announced that Olivia de Havilland was cast.[18] In 1944, she appeared in None Shall Escape, a film that is now regarded as the first about the Holocaust. She played Marja Pacierkowski, the Polish fiancée of a German Nazi officer named Wilhelm Grimm.[19]
 
In 1945, Hunt was invited to join the board of the Screen Actors Guild.[2]
Disturbed by the actions of the House Committee on Unamerican Activities (HCUA), Hunt and her husband, screenwriter Robert Presnell Jr., became members of the Committee for the First Amendment in 1947.[20][21] According to NPR, she was - at the time of her 100th birthday - the last surviving member of the group.[22]
On October 26 that same year, aged 30, Hunt took part in Hollywood Fights Back, a star-studded radio program co-written by her husband protesting the activities of HUAC.[23][24][25] In 2020, Hunt recalled:

Quote:We made our speeches and did a radio programme called Hollywood Fights Back and came home thinking we'd been patriots and had defended our profession. If there were some communists among us that was their business and not ours.[2]

The next day, Hunt flew with a group of about 30 actors, directors, writers, and filmmakers (including John Huston, Humphrey Bogart, Lauren Bacall, and Danny Kaye) to Washington to protest the actions of HUAC.[20][21] When she returned to Hollywood just three days later, things had changed. She was asked to denounce her activities if she wanted to find more work; she refused.[1]

In 1950, Hunt was named as a potential Communist or Communist sympathizer (along with 151 other actors, writers and directors) in the anti-Communist publication Red Channels.[2][6][24] The publication claimed that her leanings were made evident by her supposedly subversive actions, including asking the Supreme Court to review the convictions of John Howard Lawson and Dalton Trumbo, recording a message in support of a rally organized by the Stop Censorship Committee in 1948, signing a statement in 1946 issued by the Hollywood Independent Citizens Committee of the Arts, Sciences and Professions (HICCASP), and speaking at a rally organized by the Progressive Citizens of America in 1946.[6][26]

After the publication of Red Channels in 1950, work became scarce for Hunt and Presnell.[2][24] Hunt said in 2012, "The town turned against us. Just about-face...I was appalled, hurt, shocked that journalism could be so far out in prejudice."[27]

After her 1950 blacklisting, Hunt found most work in television, not film.[2] She appeared in only a handful of films during the next eight years.[24] She later recalled:

Quote:Agencies and producers agreed to deem all one hundred and fifty "unemployable". That actually began the blacklist practice, ending all our careers and livelihoods in broadcasting. I don't know that the movie studios would have blacklisted me if Red Channels hadn't named me and made them think I might be a Communist. So to play safe, they put me on their secret blacklist...I think by 1950 it was clear that the whole of show business was under political siege. But, miraculously, the Broadway stage was spared. People were not denied work on the Broadway stage. Movies, radio and television were overcome, but the theatre was not. When I was unable to work in any of the blacklist media, I could always do a play in stock, around the country.[28]

During an interview in 1995, Hunt stated that she believed producer Richard J. Collins was among those responsible for her inclusion in the blacklist.[29] She later said:

Quote:I never met Richard Collins, but when he was in some executive post on Bonanza, a friend of mine knew him slightly. At one point, when I was recommended for a script, she was astonished to hear him say, "Don't bother bringing up Marsha Hunt to me. As long as I am connected with this show, she will never work on it."[29]

In 1957, her career began to pick up. She appeared in six films during the next three years before announcing her semi-retirement in 1960.[6]


Following her semi-retirement in 1960, Hunt appeared in small roles in five films and numerous television shows, including an episode of the medical drama Breaking Point. In 1962, she appeared in the season-nine episode of Gunsmoke titled "The Glory and the Mud".[30] In 1967, she had a leading role as Katie's Aunt Cecile in an episode of My Three Sons entitled "The Aunt Who Came To Dinner".[31]


In 1971, she appeared in the film [url=https://en.wikipedia.org/wiki/Johnny_Got_His_Gun_(film)]Johnny Got His Gun, written by fellow blacklist member Dalton Trumbo, playing the mother of the title character, portrayed by Timothy Bottoms.[32] It won the Grand Prix at the 1971 Cannes Film Festival. On February 8, 1988, she appeared in Star Trek: The Next Generation in the episode "Too Short a Season" as Anne Jameson, wife of an admiral who took an age-reversing drug.[32] In 1997, she appeared as Ethel Thayer in the Santa Susana Repertory Company's production of On Golden Pond.[33]
In 1993, her book The Way We Wore: Styles of the 1930s and '40s and Our World Since Then was published by Fallbrook Publishing.[34]

She produced the CD Tony London: Songs From the Heart with the Page Cavanaugh Trio that includes two of the 50 songs Hunt has composed.[35]

Hunt played Elizabeth Lyons in Chloe's Prayer, a 2006 film.[36] In 2008, Hunt appeared in a short film noir, The Grand Inquisitor,[36] as Hazel Reedy, the could-be widow of one of America's most infamous unapprehended serial killers.[37]

In 2013, Hunt debuted a clip of a song she wrote 40 years earlier titled "Here's to All Who Love" about love and same-sex marriage.[38] Sung by Glee star Bill A. Jones, the clip immediately went viral.[38] It was featured in Marsha Hunt's Sweet Adversity, a documentary about her life.[39] The documentary debuted at the Palm Springs and Santa Barbara International Film Festivals in January 2015.[3]
When she was 99 in April 2017, Hunt made a public appearance at the 2017 Los Angeles Jewish Film Festival to honor the achievements of actor and activist Ed Asner.[40]
 
In 1955, after a trip opened her eyes to the issue of hunger in the Third World, Hunt gave speeches throughout the United States, encouraging Americans to join the fight against starvation in the Third World by joining the United Nations Association.[1][3] Hunt was a founder of the "San Fernando Valley Mayor's Fund for the Homeless" and helped to open one of the first homeless shelters in the San Fernando Valley.[1][3] In 1960, she produced an hour-long telecast about the refugee problems that featured stars such as Paul Newman, Jean Simmons and Bing Crosby.[3] She raised funds for the creation of "Rose Cottage", a day care shelter for homeless children;[3] and served for many years on the advisory board of directors for the San Fernando Valley Community Mental Health Center, a large non-profit, where she advocates for adults and children affected by homelessness and mental illness.[3] She was named honorary mayor of Sherman Oaks, California in 1983.[3]
Hunt still identified as a political liberal and was very concerned with such issues as global pollution, worldwide poverty,[3] peace in Third World nations, and population growth.[41]

Hunt married Jerry "Jay" Hopper, assistant head of the editing department at Paramount and later a director, on November 23, 1938.[42][43] They divorced in 1943.[44][45]
Hunt married her second husband, screenwriter and radio director Robert Presnell Jr. on February 10, 1946.[46][47]
Hunt was pregnant and very sick while filming Carnegie Hall.[48] Her only biological child, a premature daughter, was born on July 1, 1947, and died the next day.[46] She and her second husband later became foster parents.[48] They remained together until his death on June 14, 1986, at age 71.[46]
Hunt resided in the Sherman Oaks neighborhood of Los Angeles, in a home she had owned since 1946.[49][50] She died there from natural causes on September 7, 2022, at the age of 104.[37][32]
Awards and honors[edit]

• On February 8, 1960, Hunt received a star on the Hollywood Walk of Fame at 6658 Hollywood Boulevard.[51]
  
  
• In 1999, she was one of the 250 actresses nominated for the American Film Institute's selection of the 25 greatest female screen legends who debuted before 1950.[52]
  
  
• In 2002, she received a Golden Boot Award for her contributions to Western television shows and films.[53]
  
  
• In March 2015, it was announced that Hunt would be honored with the inaugural "Marsha Hunt for Humanity Award" at a Hollywood screening series founded by Kat Kramer, daughter of the late film director Stanley Kramer and actress Karen Sharpe.[54]
  
  
  

In 2016, Marsha received the Cinecon Legacy Award at the 52nd annual Cinecon Classic Film Festival in Hollywood. It was presented by Stan Taffel who interviewed her after a screening of “None Shall Escape”.

• Three of the films in which Hunt has appeared have won the Academy Award. Both Pride and Prejudice and Blossoms in the Dust received an Oscar in the category Academy Award for Best Production Design in 1941 and 1942 respectively.[55] The Human Comedy received an Oscar in the now-defunct category Academy Award for Best Story in 1944.[55]
  

LAS VEGAS (AP) — In four decades of writing about the Las Vegas underworld and government corruption, investigative reporter Jeff German took on plenty of powerful and dangerous people. The hard-bitten newsman was once punched by an organized crime associate and received veiled threats from mobsters.

Nothing seemed to faze him as he doggedly went about his work.

So German (GEHR’-man) characteristically didn’t express concern when Clark County Public Administrator Robert Telles, a virtually unknown politician in charge of an obscure and small government office, took to Twitter last spring to angrily denounce the reporter.

German, who worked for the Las Vegas Review-Journal, had written about bullying and favoritism in the public administrator’s office and an inappropriate relationship by Telles with a female subordinate.

Authorities say German’s initial investigation and follow-up stories were the motivation for Telles to fatally stab German last week at the reporter’s home. DNA at the scene linked Telles to the killing as did shoes and a distinctive straw hat found at his home that matched those worn by a suspect caught on video, investigators said Thursday.

Police arrested Telles on Wednesday after a brief standoff at his home. Telles was hospitalized for what Clark County Sheriff Joe Lombardo described as non-life-threatening, self-inflicted wounds.

Glenn Cook, executive editor of the Review-Journal, said there was talk within the newspaper about Telles being “unhinged” but he never made any physical threats against German and the reporter never said he was worried.

The thought this was the story that would put German’s safety at risk seemed implausible, he said, remembering how the reporter recounted once being punched by an organized crime associate.

“He cut his teeth covering the mob,” Cook said. “Jeff spent over 40 years covering the worst of the worst of Las Vegas. This was a guy who ran down mobsters, wise guys and killers.”

Killings of journalists in the U.S. in retaliation for their work are extremely rare. Up until German’s death, eight journalists have been killed in the U.S. since 1992, according to the Committee to Protect Journalists. The deadliest attack came in 2018 when a shooting at the Capital Gazette in Maryland left five dead.

“Jeff’s death is a sobering reminder of the inherent risks of investigative journalism,” said Diana Fuentes, executive director of the organization Investigative Reporters & Editors. “Journalists do their jobs every day, digging deep to find information the public needs to know and has a right to see.”

German joined the Review-Journal in 2010 after more than two decades at the Las Vegas Sun, where he was a columnist and reporter who covered courts, politics, labor, government and crime. He was 69, but never talked with his boss about retirement, Cook said.

Former co-workers along with attorneys and government officials German counted on as sources called him a hard-nosed, tenacious journalist who could be gruff at times, especially if someone didn’t know him or was holding back information.

“He was not someone who was easily intimidated,” said Geoff Schumacher, who worked with German at the Sun until the late 1990s. “Getting to the truth, that was more important to him than his own well-being or being popular.”

The pair recently worked together on a podcast called “Mobbed Up.”

German talked about receiving veiled threats from mobsters in the early 1980s at a time when people were disappearing as law enforcement cracked down on organized crime. The warnings definitely got German’s attention, but he never went to police, said Schumacher, who now works at at The Mob Museum in Las Vegas

Alan Feldman, a former executive with MGM Resorts International, said getting a call from German was like hearing from the CBS news show, “60 Minutes.” He didn’t talk tough or threaten anyone, Feldman said, but he never backed down.

And he always followed the story even if it didn’t go in the direction he expected, he said.

“The last thing I would say about Jeff is that anything scared him or that he was afraid,” Feldman said. “He was prepared to go after anyone who was doing something not in the public interest.”

Telles, a Democrat who apparently had never served in public office until he was elected in 2018, oversaw less than 10 people and was paid about $120,000 a year to run an office that deals with estates and the property of people after they die. Before that he was a lawyer practicing probate and estate law.

In the weeks before the June primary, German bylined reports about an office “mired in turmoil and internal dissension” between longtime employees and new hires under Telles’ leadership. Following the stories, county officials hired a consultant to help oversee the office.

Telles blamed “old-timers” for exaggerating the extent of his relationship with a female staffer and falsely claiming that he mistreated them. He posted complaints on Twitter about German, saying he was a bully who was “obsessed” with him.

Telles ended up finishing last in the three-way primary and was serving out the remainder of his term at the time of the killing.

The articles “ruined his political career, likely his marriage, and this was him lashing out at the cause,” Chief Deputy Clark County District Attorney Richard Scow said Thursday.

German’s family called him “a loving and loyal brother, uncle and friend who devoted his life to his work exposing wrongdoing in Las Vegas and beyond.”

“We’re shocked, saddened and angry about his death,” they said in a statement. “Jeff was committed to seeking justice for others and would appreciate the hard work by local police and journalists in pursuing his killer. We look forward to seeing justice done in this case.”

___

Seewer reported from Toledo, Ohio.

https://apnews.com/article/crime-las-veg...4ab71ebafb

(I abhor attacks on journalists anywhere, as such are attacks upon the needful reporting of objective news essential to public information and to the working of democracy if political).

International (but very Greek) actress Irene Pappas.

Papas was born as Irene Lelekou (Ειρήνη Λελέκου) on 3 September 1929,[a][3][6][7] in the village of Chiliomodi, outside Corinth, Greece. Her mother, Eleni Prevezanou (Ελένη Πρεβεζάνου), was a schoolteacher, and her father, Stavros Lelekos (Σταύρος Λελέκος),[b] taught classical drama at the Sofikós school in Corinth.[4] She recalled that she was always acting as a child, making dolls out of rags and sticks; after a touring theatre visited the village performing Greek tragedies with the women tearing their hair, she used to tie a black scarf around her head and perform for the other children.[10] The family moved to Athens when she was seven years old.[11] She was educated from age 15 at the Royal School of Dramatic Art in Athens, taking classes in dance and singing.[4] She found the acting style advocated by the School old-fashioned, formal, and stylised, and she rebelled against it, causing her to have to repeat a year; she eventually graduated in 1948.

Papas began her acting career in Greece in variety and traditional theatre, in plays by Ibsen, Shakespeare, and classical Greek tragedy, before moving into film in 1951.[4] She continued to appear on stage from time to time, including in New York City in productions such as Dostoevsky's The Idiot.[12] She played in Iphigenia in Aulis in Broadway's Circle in the Square Theatre in 1968,[13] and in Medea in 1973. Reviewing the production in The New York Times, Clive Barnes described her as a "very fine, controlled Medea", smouldering with a "carefully dampened passion", constantly fierce.[14] The theatre critic Walter Kerr also praised Papas's Medea; both Barnes and Kerr saw in her portrayal what Barnes called "her unrelenting determination and unwavering desire for justice".[1] Albert Bermel considered Papas's rendering of Medea as a sympathetic woman a triumph of acting.[1] She appeared in The Bacchae in 1980 at Circle in the Square,[15] and in Electra at the Ancient Theatre of Epidaurus in 1985.[16]

Papas debuted in American film with a bit part in the B-movie The Man from Cairo (1953); her next American film was a much larger role as Jocasta Constantine, alongside James Cagney, in the Western Tribute to a Bad Man (1956).[25] She then starred in films such as The Guns of Navarone (1961) and Cacoyannis's Zorba the Greek (1964), based on Nikos Kazantzakis's novel of the same name, set to Mikis Theodorakis's music, establishing her reputation internationally.[16][26][17]

On The Guns of Navarone, she stars as a resistance fighter involved in the action, an addition to Alistair Maclean's novel, providing a love interest and a strong female character.[27][28][29] Katsan comments that she plays a "hard as nails" partisan in The Guns of Navarone, "capable, unafraid, stoic, patriotic, and heroic"; when the men hesitate, she kills the traitorous Anna; but although she interacts romantically with Andreas (Anthony Quinn), she remains "cool and rational", revealing little of her sensual persona; she is as tough as the men, like the stereotype of a Greek village woman, but she is contrasted with them in the film.[25]

Bosley Crowther called her appearance in Zorba "dark and intense as the widow".[30] Gerasimus Katsan said that she was most often remembered as the "sensual widow" in Zorba.[25] Katsan comments that she was again contrasted to the other village women, playing "the beautiful and tortured widow" who is eventually hunted to death with what Vrasidas Karalis called "elemental nobility".[25][31] Jefferson Hunter comments that Papas helped to lift Zorba from being merely an "exuberant" film with the stark passion of her subplot role.[32]

This success did not earn her an easy life; she stated that she did not work for 2 years after Electra, despite the prizes and acclamation; and again, she was out of work for 18 months after Zorba. It turned out to be her most popular film, but she said she earned only $10,000 from it.[10]

Papas played leading roles in critically acclaimed films such as Z (1969), where her political activist's widow has been called "indelible".[26] She appeared as Catherine of Aragon in Anne of the Thousand Days, opposite Richard Burton and Geneviève Bujold in 1969. In 1976, she starred in Mohammad, Messenger of God about the origin of Islam. In 1982, she appeared in Lion of the Desert, together with Anthony Quinn, Oliver Reed, Rod Steiger, and John Gielgud. One of her last film appearances was in Captain Corelli's Mandolin in 2001,[4][33] where she to some extent reprised her strong peasant woman from The Guns of Navarone and the widow from Zorba, but was underused.[25]



In 1969, the RCA label released Papas' vinyl LP, Songs of Theodorakis (INTS 1033). This has 11 songs sung in Greek, conducted by Harry Lemonopoulos and produced by Andy Wiswell, with sleeve notes in English by Michael Cacoyannis. It was released on CD in 2005 (FM 1680).[41] Papas knew Mikis Theodorakis from working with him on Zorba the Greek[18] as early as 1964. The critic Clive Barnes said of her singing performance on the album that "Irene Pappas is known to the public as an actress, but that is why she sings with such intensity, her very appearance, with her raven hair, is an equally dynamic means of expression".[40]


In 1972, she appeared on the album 666 by the Greek rock group Aphrodite's Child on the track "∞" (infinity). She chants "I was, I am, I am to come" repeatedly and wildly over a percussive backing, worrying the label, Mercury, who hesitated over releasing the album, causing controversy with her "graphic orgasm".[42][43]

In 1979, Polydor released her album of eight Greek folk songs entitled Odes, with electronic music performed (and partly composed) by Vangelis.[44] The lyrics were co-written by Arianna Stassinopoulos.[45] They collaborated again in 1986 for Rapsodies, an electronic rendition of seven Byzantine liturgy hymns, also on Polydor; Jonny Trunk wrote that there was "no doubting the power, fire and earthy delights of Papas' voice".[46]

In 1967, Papas, a lifelong liberal, called for a "cultural boycott" against the "Fourth Reich", meaning the military government of Greece at that time.[47][16] Her opposition to the regime sent her, and other artists such as Theodorakis, whose songs she sang, into exile when the military junta came to power in Greece in 1967; she moved into temporary exile in Italy and New York.[20][48][49][16] When the junta fell in 1974, she returned to Greece, spending time both in Athens and in her family's village house in Chiliomodi, as well as continuing to work in Rome.[16]

More at Wikipedia.

(09-16-2022, 06:28 AM)pbrower2a Wrote: [ -> ]International (but very Greek) actress Irene Pappas.

In 1972, she appeared on the album 666 by the Greek rock group Aphrodite's Child on the track "∞" (infinity). She chants "I was, I am, I am to come" repeatedly and wildly over a percussive backing, worrying the label, Mercury, who hesitated over releasing the album, causing controversy with her "graphic orgasm".[42][43]

For the curious. It's a remarkable improvised performance.

Kenneth Winston Starr (July 21, 1946 – September 13, 2022) was an American lawyer and judge who authored the Starr Report, which led to the impeachment of Bill Clinton. [He did many other things in his life, but this is what he's most remembered for. -ed.]



https://en.wikipedia.org/wiki/Ken_Starr

He headed an investigation of members of the Clinton administration, known as the Whitewater controversy, from 1994 to 1998. Starr previously served as a federal appellate judge on the U.S. Court of Appeals for the District of Columbia Circuit from 1983 to 1989 and as the U.S. solicitor general from 1989 to 1993 during the presidency of George H. W. Bush.

Starr received the most public attention for his tenure as independent counsel while Bill Clinton was U.S. president. Starr was initially appointed to investigate the suicide of deputy White House counsel Vince Foster and the Whitewater real estate investments of Clinton. The three-judge panel charged with administering the Ethics in Government Act later expanded the inquiry into numerous areas including suspected perjury about Clinton's sexual affair with Monica Lewinsky. After more than four years of investigation, Starr filed the Starr Report, which alleged that Clinton lied about the existence of the affair during a sworn deposition. The allegation led to the impeachment of Clinton and the five-year suspension of his law license.

Starr served as the dean of the Pepperdine University School of Law. He was later both the president and the chancellor of Baylor University in Waco, Texas, from June 2010 until May and June 2016, respectively, and at the same time the Louise L. Morrison chair of constitutional law at Baylor Law School. On May 26, 2016, following an investigation into the mishandling by Starr of several sexual assaults at the school, Baylor University's board of regents announced that Starr's tenure as university president would end on May 31.[4] The board said he would continue as chancellor, but on June 1, Starr resigned that position with immediate effect.[5] On August 19, 2016, Starr announced he would also resign from his tenured professor position at Baylor Law School, completely severing his ties with the university in a "mutually agreed separation", following accusations that he ignored allegations of sexual assault on campus.

On January 17, 2020, Starr joined President Donald Trump's legal team during his first impeachment trial.

filmmaker Jean-Luc Godard

Jean-Luc Godard (UK: /ˈɡɒdɑːr/ GOD-ar, US: /ɡoʊˈdɑːr/ goh-DAR; French: [ʒɑ̃ lyk ɡɔdaʁ]; 3 December 1930 – 13 September 2022) was a French-Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the 1960s French New Wave film movement[1] and was arguably the most influential French filmmaker of the post-war era.[2] According to AllMovie, his work "revolutionized the motion picture form" through its experimentation with narrative, continuity, sound, and camerawork.[2]


During his early career as a film critic for the influential magazine Cahiers du Cinéma, Godard criticized mainstream French cinema's "Tradition of Quality", which emphasized established convention over innovation and experimentation.[3][1] In response, he and like-minded critics began to make their own films,[1] challenging the conventions of traditional Hollywood in addition to French cinema.[4] Godard first received global acclaim for his 1960 feature Breathless, helping to establish the New Wave movement.[2] His work makes use of frequent homages and references to film history, and often expressed his political views; he was an avid reader of existentialism[5] and Marxist philosophy, and in 1969 formed the Dziga Vertov Group with other radical filmmakers to promote political works.[6] After the New Wave, his politics were less radical and his later films are about human conflict and artistic representation "from a humanist rather than Marxist perspective."[6]

In a 2002 Sight & Sound poll, Godard ranked third in the critics' top ten directors of all time.[7] He is said to have "generated one of the largest bodies of critical analysis of any filmmaker since the mid-twentieth century."[8] His work has been central to narrative theory and has "challenged both commercial narrative cinema norms and film criticism's vocabulary."[9] In 2010, Godard was awarded an Academy Honorary Award, but did not attend the award ceremony.[10]

Godard was married twice, to actresses Anna Karina and Anne Wiazemsky, both of whom starred in several of his films. His collaborations with Karina—which included such critically acclaimed films as Vivre sa vie (1962), Bande à part (1964), and Pierrot le Fou (1965)—were called "arguably the most influential body of work in the history of cinema" by Filmmaker magazine.[11]

Valeri Vladimirovich Polyakov (Russian: Валерий Владимирович Поляков, born Valeri Ivanovich Korshunov; 27 April 1942 – 19 September 2022) was a Russian cosmonaut. He is the holder of the record for the longest single stay in space, staying aboard the Mir space station for more than 14 months (437 days 18 hours) during one trip.[1] His combined space experience was more than 22 months.[2]

Selected as a cosmonaut in 1972, Polyakov made his first flight into space aboard Soyuz TM-6 in 1988. He returned to Earth 240 days later aboard TM-7. Polyakov completed his second flight into space in 1994–1995, spending 437 days in space between launching on Soyuz TM-18 and landing on TM-20, setting the record for the longest time continuously spent in space by an individual in human history.

Polyakov was selected as a cosmonaut in Medical Group 3 on 22 March 1972. His first flight into space occurred on Soyuz TM-6 in 1988. After staying aboard the Mir space station and conducting research for 240 days, Polyakov returned to Earth aboard Soyuz TM-7.[2]


Polyakov's second spaceflight, the longest human spaceflight in history, began on 8 January 1994 with the launch of the Soyuz TM-18 mission. He spent approximately 437 days aboard Mir conducting experiments and performing scientific research. During this flight, he completed just over 7,000 orbits of the Earth. On 9 January 1995, after 366 days in space, Polyakov formally broke the spaceflight duration record previously set by Vladimir Titov and Musa Manarov six years earlier.[3] He returned to Earth aboard Soyuz TM-20 on 22 March 1995.[2] Upon landing, Polyakov opted not to be carried the few feet between the Soyuz capsule and a nearby lawn chair, instead walking the short distance. In doing so, he wished to prove that humans could be physically capable of working on the surface of Mars after a long-duration transit phase.[4]

Polyakov volunteered for his 437-day flight to learn how the human body would respond to the micro-gravity environment on long-duration missions to Mars.[4] Upon returning from his second spaceflight, Polyakov held the record for the most total time in space. This record was later broken by Sergei Avdeyev and is currently held by Gennady Padalka.[4][5] Data from Polyakov's flight has been used by researchers to determine that humans are able to maintain a healthy mental state during long-duration spaceflight just as they would on Earth.[6]

Polyakov underwent medical assessments before, during, and after the flight. He also underwent two follow-up examinations six months after returning to Earth. When researchers compared the results of these medical exams, it was revealed that although there were no impairments of cognitive functions, Polyakov experienced a clear decline in mood as well as a feeling of increased workload during the first few weeks of spaceflight and return to Earth.[6][7] Polyakov's mood stabilized to pre-flight levels between the second and fourteenth month of his mission. It was also revealed that Polyakov did not suffer from any prolonged performance impairments after returning to Earth. In light of these findings, researchers concluded that a stable mood and overall function could be maintained during extended duration spaceflights, such as crewed missions to Mars.[6]

Spaceflights

• Soyuz TM-6 / Soyuz TM-7 – 28 August 1988 to 27 April 1989 – 240 days, 22 hours, 34 minutes[citation needed]
  
  
• Soyuz TM-18 / Soyuz TM-20 – 8 January 1994 to 22 March 1995 – 437 days, 17 hours, 58 minutes[citation needed]
  

More at Wikipedia.

Maarten Schmidt (28 December 1929 – 17 September 2022) was a Dutch-born American astronomer who measured the distances of quasars.
Born in Groningen, The Netherlands,[2] Schmidt studied with Jan Hendrik Oort. He earned his Ph.D. degree from Leiden Observatory in 1956. He was a co-recipient, with Donald Lynden-Bell, of the inaugural Kavli Prize for Astrophysics in 2008.[1]

In 1959, he emigrated to the United States and went to work at the California Institute of Technology. In the beginning, he worked on theories about the mass distribution and dynamics of galaxies. Of particular note from this period was his formulation of what has become known as the Schmidt law, which relates the density of interstellar gas to the rate of star formation occurring in that gas.[3][4] He later began a study of the light spectra of radio sources. In 1963, using the 200-inch reflector telescope at the Palomar Observatory, Schmidt identified the visible object corresponding to one of these radio sources, known as 3C 273 and also studied its spectrum. While its star-like appearance suggested it was relatively nearby, the spectrum of 3C 273 proved to have what was at the time a high redshift of 0.158, showing that it lay far beyond the Milky Way, and thus possessed an extraordinarily high luminosity. Schmidt termed 3C 273 a "quasi-stellar" object or quasar; thousands have since been identified.

Schmidt died on 17 September 2022, at the age of 92.[5]

https://en.wikipedia.org/wiki/Maarten_Schmidt

Brower posts a lot of athletes that have passed; I'm surprised he hasn't posted this one yet. But this is one that made a big impact in the sport I was following when younger. Vin Scully, who recently passed also, chronciled his exploits.

https://en.wikipedia.org/wiki/Maury_Wills

Maurice Morning Wills (October 2, 1932 – September 19, 2022) was an American professional baseball player and manager. He played in Major League Baseball (MLB) primarily for the Los Angeles Dodgers from 1959 through 1966 and the latter part of 1969 through 1972 as a shortstop and switch-hitter; he played for the Pittsburgh Pirates in 1967 and 1968, and the Montreal Expos the first part of 1969. Wills was an essential component of the Dodgers' championship teams in the mid-1960s, and is credited with reviving the stolen base as part of baseball strategy.[1]

Wills was the National League Most Valuable Player (MVP) in 1962, stealing a record 104 bases to break the old modern era mark of 96, set by Ty Cobb in 1915. He was an All-Star for five seasons and seven All-Star Games[2], and was the first MLB All-Star Game Most Valuable Player in 1962. He also won Gold Gloves in 1961 and 1962. In a fourteen-year career, Wills batted .281 with 20 home runs, 458 runs batted in, 2,134 hits, 1,067 runs, 177 doubles, 71 triples, 586 stolen bases, and 552 bases on balls in 1,942 games. From 2009 until his death in 2022, Wills was a member of the Los Angeles Dodgers organization serving as a representative of the Dodgers Legend Bureau.

I must have missed him. He would be an automatic inclusion for the stolen bases. The astronomer and the astronaut did get my attention.

I was surprised that Maury Wills was even alive. He might have been the best living former shortstop in baseball other than A-Rod not in the Baseball Hall of Fame since (1) Tony Fernandez died, and (2) Alan Trammell made the Hall of Fame. I've never heard anyone disparage Wills' defense (indeed it is considerably better than that (statistically) of either Trammell (who probably should have been moved to the outfield in mid-career) or Fernandez. The home runs of both Fernandez and Trammell are far more valuable than Wills' stolen bases. Regrettably, Wills did not keep his nose clean, so to speak. Neither Fernandez, Trammell, nor Wills could match Ozzie Smith on defense... but who could?

Vernon F. Dvorak (1922 – 19 September 2022) was an American meteorologist. He studied meteorology at the University of California, Los Angeles and wrote his Master thesis An investigation of the inversion-cloud regime over the subtropical waters west of California in 1966. In 1973 he developed the Dvorak technique to analyze tropical cyclones from satellite imagery.[1] He worked with the National Environmental Satellite, Data, and Information Service. He lived in Ojai, California, until his death on September 19, 2022.

Vernon Dvorak was born in 1922.[2]
Dvorak's most influential work was the creation of the Dvorak technique, a method of estimating tropical cyclone intensity using infrared satellite. The Dvorak technique is credited as "fundamentally [enhancing] the ability to monitor tropical cyclones on a global scale."[2] The method provides an invaluable tool in monitoring these systems given the limitations of direct measurements on such a vast scale.[2]
Dvorak died on September 19, 2022, at age 100.[2]

"Nurse Ratched" (Louise Fletcher) can no longer dispense meds to inmates at the "Cuckoo's Nest".

(09-24-2022, 09:22 AM)pbrower2a Wrote: [ -> ]"Nurse Ratched" (Louise Fletcher) can no longer dispense meds to inmates at the "Cuckoo's Nest".

She was mean in that movie. But on Perry Mason she played two very pleasant innocent clients.

https://en.wikipedia.org/wiki/Louise_Fletcher

Sad to hear about that reporter Mr. German. I guess I heard about this on the news. Some people like to put down journalists today. We need them, as you say. The "MSM" is frequently attacked by those who prefer made-up stories to the truth. A shame for a murder like this to happen in our country.