02-14-2023, 02:42 PM
Let's think of what we lost with Bert Bacharach -- one of the greatest songwriters of all time. Franz Schubert, Stephen Foster, Hugo Wolff, Irving Berlin, George Gershwin, the Beatles (collectively)...
Quote:Sapporo, Calgary, and Albertville have contributed to the promotion of the Olympic Movement. During the Lillehammer Games, the “Olympic Aid” campaign was founded in order to help the children of Sarajevo. Schoolchildren in Nagano have had the opportunity to deepen their international perspective through the “One School, One Country” pro- gramme. The “Nagano Olympic Harmony Fund” supports children in underprivileged countries by providing educational materials and sports equipment. We hope that future Olympic Winter Games host cities will take their own specific actions in order to work toward the realization of peace and the support of children throughout the world.[/url]
Quote:I'm sure you [Salt Lake City] will be able to overcome the scandal and have successful Games, too. The citizens of Salt Lake City will support the Olympic Games just like those in Nagano did... As a host city, the most important thing to do is to host successful Games. We did that. It’s over, and we didn’t have any problems.[21]
Quote:Haim Topol, then a young man and of Ashkenazi heritage, plays the old Sephardic manipulator with such consummate skill that even aged immigrants from Morocco and Tunisia were convinced that he was one of them.
Quote:Chaim Topol breathed life into Tevye.
Quote:As a young man, I had to make sure that I didn't break the illusion for the audience. You have to tame yourself. I'm now someone who is supposed to be 50, 60 years old. I cannot jump. I cannot suddenly be young. You produce a certain sound [in your voice] that is not young.[2]
Quote:I created Ziggy Pig and Silly Seal from scratch. [editor-in-chief] Stan [Lee] said to me, "Create an animated-type character. Something different, something new." I searched around and thought, "I've never seen anyone do anything about a seal," so I made him the lead character. So I created "Silly Seal". One day, Stan said to me, "Why don't you give him a little friend of some sort?" I had already created Ziggy Pig, who had his own little feature, so it was quite easy to combine them into one series. I said, "How about Ziggy Pig?" Stan said, "Okay!" I should add that, while I created Ziggy Pig, it was Stan who named him.[22]From 1957 to 1963, Jaffee drew the elongated Tall Tales panel for the New York Herald Tribune, which was syndicated to over 100 newspapers. Jaffee credited its middling success with a pantomime format that was easy to sell abroad, but his higher-ups were unsatisfied with the strip's status: "The head of the syndicate, who was a certifiable idiot, said the reason it was not selling [better] is we gotta put words in it. So they made me put words in it. Immediately lost 28 foreign papers."[23] A collection of Jaffee's Tall Tales strips was published in 2008. Jaffee also scripted the short-lived strips Debbie Deere and Jason in the late 1960s and early 1970s.[24] Since 1984, Jaffee has provided illustrations for "The Shpy," a lighthearted Jewish-themed adventure feature in Tzivos Hashem's bimonthly children's publication The Moshiach Times.[25][26]
Quote:I thought to myself ... now it's folded in and I've got to have something on the left side here, and something right side here. And the only thing that popped into my head was that Elizabeth Taylor had just dumped Eddie Fisher and was carrying on with Richard Burton. So I had Elizabeth Taylor kissing Richard Burton, and a cop is holding the crowd back – and just for the fun of it I put Eddie Fisher being trampled by the crowd. What a cruel thing to do! And then, when you fold it in, she's moving on from Richard Burton and kissing the next guy in the crowd. It's so simplistic and silly and juvenile! And anyone could have done that!
I showed it to Al Feldstein, and the first thing I said was, "Al, I've got this crazy idea, and you're not going to buy it, because it mutilates the magazine." So I put it in front of him, and the thing about Al was, he liked things that intrigued him. The mechanics of it intrigued him. He said, "You mean, you fold it, like this...? And then...?" He folded it, he unfolded it, he folded it, and then he said, "I like this!" But I said, "Al, it mutilates the magazine." And he said, "Well, I'll have to check it with Bill." He takes it, runs it to Bill's office, and he was there a little while, and he comes back and he says, "We're going to do it! You know what Bill said? Bill said, 'So they mutilate the magazine, and then they'll buy another one to save!'
Four or five weeks later, Al comes over to me and says, "When are you going to do the next Fold-In?" And I said, "I don't have another Fold-In. That was it!" So he said, "Come on, you can come up with something else." I wracked my brain, and the only thing I could come up with was Nixon [whose face was hidden within curtain folds]. That one really set the tone for what the cleverness of the Fold-Ins has to be. It couldn't just be bringing someone from the left to kiss someone on the right.[30]
Quote:I got a call from The Daily Show – they asked me if I would contribute a Fold-In to their book, America. I said I'd be happy to do it. When I was done, I called up the producer who'd contacted me, and I said, "I've finished the Fold-In, where shall I send it?" And he said – and this was a great compliment – "Oh, please Mr. Jaffee, could you deliver it in person? The whole crew wants to meet you." And that's where I met Stephen Colbert and Jon Stewart and all the writers, and they told me it was our work in Mad that inspired them. Not me, particularly, but us, generally... They said, "Without you guys, we wouldn't be here." And I felt really good about that.[45]
Quote:Someone who was not there could never really grasp how unreal the situation was ... I once saw DPs [displaced persons] beat an SS man and then strap him to the steel gurney of a crematorium. They slid him in the oven, turned on the heat and took him back out. Beat him again, and put him back in until he was burnt alive. I did nothing to stop it. I suppose I could have brandished my weapon or shot in the air, but I was not inclined to do so. Does that make me an accomplice to murder?[12] You know how I got witness statements? I'd go into a village where, say, an American pilot had parachuted and been beaten to death and line everyone one up against the wall. Then I'd say, "Anyone who lies will be shot on the spot." It never occurred to me that statements taken under duress would be invalid.[12]